A Quote by Noah Baumbach
Nothing that I've turned down do I feel like I should have done. Because I've generated everything I've done, I've never really considered doing something that I haven't originated myself. There are definitely things that I've been brought that someone else made good movies out of. But it's not a path I've followed, so I don't have regret.
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I'm apologetic when I feel like I've made a mistake. And when I have done a disservice to myself or someone else. But I don't feel a need to apologize for doing or saying something that I think needs to be said, just because it may not sit comfortably with somebody else.
I feel like I turned down a lot of things that I wish I hadn't. But you never know when you're younger. I don't have regrets about certain things I turned down. Those films would have required things of me that would have been challenging, and they ended up being really good movies. But I was never a careerist, I never thought in those terms. I'd be like, "Oh, I'm tired. I don't want to work."
He kissed me hard and I kissed him back harder, like it was the end of an era that had lasted all of my life.
Being near Tom and Doug at night kept me from having to say to myself I am not afraid whenever I heard a branch snap in the dark or the wind shook so fiercely it seemed something bad was about to happen. But I wasn't out here to keep myself from having to say I am not afraid. I'd come, I'd realized, to stare that fear down, to stare everything down, really - all that I'd done to myself and all that had been done to me. I couldn't do that while tagging along with someone else.
The psychology of fashion is interesting because we're selling people something they don't really need. We're just selling them something that makes them feel good. Besides, there is nothing really new in fashion. Everything worth doing has been done before.
Movies cost so much that studios really try to impose their personality over yours. A lot of times, you can get swallowed up in that and end up making movies that are indistinguishable from anybody else's. One of the things I've always tried to do is to inject myself as much as possible into the movie, so I feel like it's mine. But that also comes from what you choose to do and what you choose not to do. There are certain projects I could have said yes to, and I know exactly how they would have turned out: exactly the way they turned out when someone else did them.
What haunted people even, perhaps especially, on their deathbed? What chased them, tortured them and brought some of them to their knees? And [he] thought he had the answer. Regret. Regret for things said, things done, and things not done. Regret for the people they might have been. And failed to be.
Sometimes I sit down and I think 'Do I regret this? Do I regret that?' And I feel like everything makes this snowball effect, you know? If you regret something, it's good because it just means that it's something that's affected you enough for you to stop and think... There's a reason that everything happens.
I get really afraid of those little comforts, those things that make us feel like we did something great, because I've done nothing. I've done nothing. I mean that sincerely.
When I started acting, everyone told me to get a backup in case it didn't work out; if there was something else I could have done, I would have done it. Acting should never be your chosen path if you can help it.
I feel like if you compare yourself to other successful musicians you will never be successful, because there will always be someone above you who has done something more or done something first or done something better.
I always work out first thing in the morning, because if I don't, it won't get done. To me, it really comes down to my priorities. Because those are the things that are important to me: my spirituality, centering with the universe and God, and then getting my workout in and putting my health first. That makes everything else feel easy. Anything that comes up, I feel like I can conquer it throughout the day.
I'm going to be doing solo stuff. The idea is to do 'small' and 'off my beaten path,' or go back to an old, beaten path - do some smaller things that I haven't done in 15 or 20 years. Just to sort of get my feet wet, because I haven't done my own material for a couple of years - I've been doing a lot of other things.
When I first prepared this particular talk... I realized that my usual approach is usually critical. That is, a lot of the things that I do, that most people do, are because they hate something somebody else has done, or they hate that something hasn't been done. And I realized that informed criticism has completely been done in by the web. Because the web has produced so much uninformed criticism. It's kind of a Gresham's Law-bad money drives the good money out of circulation. Bad criticism drives good criticism out of circulation. You just can't criticize anything.
We haven't been on the same page in years. It is what it is. Sometimes that match burns out. So, no, I don't feel bad about it. It's good. I'm grateful for everything we have done throughout our careers and if there's nothing else to put out, then there's nothing to put out. I'm constantly writing and working. It doesn't stop there.
I like that part of the culture of 'MST3K' is this constant dialog on what movies could be done and what movies should be done. I've seen plenty of bad movies and walked out afterward thinking 'That would have been perfect for 'MST3K.''
I never thought of myself as any kind of a film star, as many films as I've made - and I've made some really fun movies with good people. I've always been paired with someone because I'm not really box office, in that carrying-a-picture sense. I've always been busy, but not in the spotlight.
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