A Quote by Noah Baumbach
That's the nice thing about collaborating with someone: Your work becomes a conversation.
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The challenge is the same whether or not I'm collaborating: to empathize with your reader and to tell a story that will matter to him or her. But the mechanics of going about that challenge change when you're collaborating, because you have someone to help refine your thinking and expand your vision of what might happen.
It's always nice when someone you don't know comes up to you and says a couple nice things about your work. It's always a pleasure.
There's something nice about the silence of a car ride in the dark, going home. When you were tired of the radio and conversation, and it was okay to just be alone with your thoughts and the road ahead. If you're that comfortable with someone, you don't have to talk.
I think the thing about music is, it's about communication. If you communicate to anyone, whether someone unknown who's a fan or Lady Gaga, I think that always gives you a nice feeling. It's always nice when people say nice things about you. But we tend to think about people as equals.
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
As the workplace becomes more specialized, from offices to medical centers to factories, teams of people must accomplish their work by collaborating with each other. In my work in filmmaking, we need talented individuals with technical skills, but their abilities to communicate and work with others are just as valuable.
Successful collaboration, in your mind, could be that your opinion is the most valuable and becomes the prevailing sort of direction. That's not collaborating.
The nice thing about dogs is you can sit them down, you could have a nice long conversation, you could be cross, you could be sad, and they just sit looking at you wagging their tail!
When you become your own boss, and your artwork becomes your livelihood, it becomes the only thing you think about.
...treasure what it means to do a day's work. It's our one and only chance to do something productive today, and it's certainly not available to someone merely because he is the high bidder. A day's work is your chance to do art, to create a gift, to do something that matters. As your work gets better and your art becomes more important, competition for your gifts will increase and you'll discover that you can be choosier about whom you give them to.
That's the great part about arts - someone taking your work and making it something else; it's becomes a true collaboration.
If your reading life and your friendships overlap, that's just a nice coincidence - a case where the conversation you're having with books and the conversation you're having with actual human beings happen to dovetail.
Before my commercial career, I never played for more than an audience of 99 seats somewhere in downtown New York, but occasionally someone would recognize me in the subway and say, "Oh, I saw you in that play, you were really great in that," or "the director was really something." It becomes a conversation. When people spot me on the street from my work in commercials, there's nowhere for the conversation to go. Obviously I'm an actor and I can't.
If you are going to abandon your work because someone speaks ill of it, then it has never been your work, has it? It becomes theirs. You give it up.
Attention is a strange sort of being, anyway, the idea of attention if someone appreciates your work. It's always nice that someone appreciates your work.
I think women are deeply interested in a conversation around fertility. It's not a conversation just for one age group of women, a conversation if you're post 30 or post 35. This [is] conversation about reproduction, about taking your own power with you and deciding for yourself.
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