A Quote by Noah Baumbach

There's something really vulnerable about playing something that you like for someone. You don't know what their reaction will be. — © Noah Baumbach
There's something really vulnerable about playing something that you like for someone. You don't know what their reaction will be.
So I always think it's important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
So I always think its important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
I always will tell someone, 'If you're upset about something and you don't really want to talk about it or you don't know what to do, just get up and go do something to make yourself feel better.'
I feel like when you're videoing someone and you catch Tiger at a bad time, you show him accidentally doing something, or someone else, they're just frustrated because they really care about the game. It could really hurt them if they catch you at a potentially vulnerable time.
When someone asks me to do something, something new, something I don’t know about, and if I haven’t done it, I’ll say yes. Just so I can try something new. You never know what you might like.
If people keep telling you you can't do a thing, then you need to find a really good reason to continue. If someone tells you you can't do something, how will you know? If someone tells you something is impossible, how will you know?
It's really cool to know that you've put something together that isn't for a particular audience. It's so often that a TV show can really only speak to one sect of the population, and this really is something that appeals to a worldwide fan base. People who are into the pursuit of knowledge. Their reaction has meant the world to us.
One of the things I love about music and making beats is making something and watching someone's reaction, knowing you can do something to manipulate the way people move or act.
There's something really exciting about playing someone where you're given license to be unpredictable.
I actually do bits of my writing in sort of incidental spaces - when I'm traveling on the Tube or on a bus. More often than not, it's a reaction to how you feel about something, and if you're sitting down and concentrating on, 'I must write something,' then you can't have a truthful reaction.
I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
I love music with everything I have, and when I am in a front of a classroom talking about music sometimes someone will ask me a question and it reminds me to really think about something, to really feel something.
Find something you really love doing and mix it with something you really care about. That's why I've had such longevity as an artist. I really, really care about ending violence against women, and I really, really love playing music. It's super enjoyable!
Ryan is an amazing person. When I was his age, I wasn't thinking about giving someone a kidney. How do you ever repay someone for something like that? You can't. It's not like borrowing $20 from someone and telling them you're going to give it back. It's something that you can never repay someone for.
It's a funny thing, I think people meet us and they assume that we know a lot more about politics than we actually do. People will really get into it. I'm like, I don't really know a lot about tariff reform or export trade reform. That's really not something I know about.
Besides all those whaling details, Moby Dick is about someone who's looking for something so huge, something they've wanted all their life, yet they know when they find it, it will kill them.
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