A Quote by Noah Baumbach

There is an isolated experience to being a director. It's very communal because there's a crew, but it's only you. You're the one on the hook. — © Noah Baumbach
There is an isolated experience to being a director. It's very communal because there's a crew, but it's only you. You're the one on the hook.
Whether you're acting or you're writing, your skin is just basically ripped off and you're putting yourself out there. At least the acting part comes with a bit more social interaction. And you're a bit less isolated because you are working with the director and the crew, and there's a general camaraderie. Writing, you're totally isolated. You're just trying to get the words on paper.
To be a great director, what does it mean exactly? It's not only about a great director, but also about being able to rely on the very special chemistry that goes between them. It not only has to be a great director, but the great director has to make his relationship to you, the actor, very special.
Movies began as a communal experience. Even though we now watch them as DVD's, sometimes alone on our computers, mostly in the history of cinema it has been a communal experience.
In Hong Kong, in our generation that started out in the 1970s, being a director wasn't a big deal. We didn't even have director's chairs. We weren't particularly well paid. The social standing of a film director wasn't that high. It was a sort of a plebeian job, a second or third grade one. And the studio heads are always practical, there's never any fawning because someone is a director. There's very little snobbery about one's position as a director. The only ones people treated differently were those that were also stars; or the directors who also owned their companies.
You see very senior women leaving technology and the men stay, mostly because they feel quite isolated and are isolated by the very systems.
Acting can be a narrow and isolated experience, because you only examine your particular part.
For the most part, if you have an isolated place, it's sort of nice to have a communal vibe.
I think actors, because we're in the world of the characters and the movie, are more isolated, and it always really fun to wake up and be a family with the entire crew.
I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
I probably like being isolated more than many people do, but I'm lucky to have the friendship of many fine people, and they keep me from becoming very isolated. The world of my mind is certainly a populated and warm place, too. It's difficult for me to become too isolated with such resources.
I worry very, very much about an isolated country. That's what makes me nervous. Russia lives in the world. China lives in the world. North Korea is a very, very strange country because it is so isolated, and I do feel that a nation with nuclear weapons, they have got to be dealt with. Dealt with effectively.
Being on a set where the director has lost control is just sickening. No one goes the extra mile, there's a lot of eye-rolling... it just breeds inertia. If a director is in control, the crew follow their leader. But the second anyone senses the directors are not sure, people just swoop in.
Being on a set where the director has lost control is just sickening. No one goes the extra mile, theres a lot of eye-rolling... it just breeds inertia. If a director is in control, the crew follow their leader. But the second anyone senses the directors are not sure, people just swoop in.
You are much more likely to have a holy experience in a quiet, focused, and communal context than you are when you are being entertained.
Trying to make something as tricky as 'Room' really believable is extremely hard, and it largely rests with that relationship between the actors and the director, and the director and the crew.
Whether splendidly isolated or dangerously isolated, I will not now debate; but for my part, I think splendidly isolated, because the isolation of England comes from her superiority.
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