A Quote by Noah Baumbach
You can be aware that something is idiosyncratic, and give it to a character, but keep doing it.
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The advice that I usually give to young actors is that if you can create a character for the stage and keep that character fresh for at least 6 months that means you're doing the show eight times a week.
All you do as a performer is keep doing it. If you keep doing it, then it depends on why you're doing it. If you're doing something for superficial, monumental reasons and if you're doing it for female attention, or if you're doing it for money, it's like being upset. Only way you can get upset is when you expecting something. If you don't get this award or don't get that award, that because you expect something.
My philosophy is "Where is it written that at 40 you give up all your toys?" If I'm still having a great time doing something, I'm going to keep on doing it.
When you're frightened don't sit still, keep on doing something. The act of doing will give your back your courage.
I think what is nice about 'Elf,' and why it doesn't play as one long sketch, is that the character actually grows up during the course of the film. It's not just a character that you can keep checking in on and keep doing sketches about. It's a story. I'm pretty proud of how we told it.
I'm from Africa, and I have to give something back to my community. You all know that I've been doing a lot of charity stuff without knocking at any door. I'm taking my own wages to do it, and I will keep doing it until the end of my career.
What appears on the page comes out of your experience, and no-one is going to see it in quite the same way - so, that being so, you're already doing something in a thoroughly individual and idiosyncratic way anyway.
One nourishes one's created characters with one's own substance: it's rather like the process of gestation. To give the character life, or to give him back life, it is of course necessary to fortify him by contributing something of one's own humanity, but it doesn't follow from that that the character is I, the writer, or that I am the character. The two entities remain distinct.
It seems to me that any popular fictional character's appeal is idiosyncratic in nature. Characters with large followings - Sherlock Holmes, Harry Potter, the crew of the Starship Enterprise - seem to embody something very particular even as they speak to something within a huge number of people. When I think of the most time-tested examples, the common thread appears to be an author who feels deeply for what he is creating.
The first theme that every audience can get easily everywhere in the world is the theme of judgment. You are constantly judging if this character is doing something wrong or right, or the other character is doing something right or wrong.
If you have the abilities to earn a lot of money and if you have the character to persist in giving that to the most effective charities you can find, then that may be the best thing that you can do. And - also, if you do become a Wall Street banker, I think you need to be aware of what you're doing in terms of your daily work, not just earning money to give a lot away. But you need to think about - am I harming people through the work that I'm doing?
Florida is a very idiosyncratic place in a lot of ways - as are many parts of our fine country, but one could say Florida is particularly idiosyncratic.
I think what we want to do is - when we choreograph, when we design choreography, we try to take it from a character standpoint first. Obviously you write a script and it's like, a Jason Bourne or a John Wick or something like that, you don't start choreographing double twisting wire moves and backflips, or doing the splits. You try to keep it so it fits the character, or the tone of the film.
You have to be aware of all the latent possibilities that give a work its special character - its atmosphere, its moods, its contrasts.
It's a challenge of to write a narrator who is doing something that is really unlikeable and morally questionable. A lot of times, you read a book because you like the character, you are cheering for the character; you want the best for the character.
I love the idea of seeing a character - I mean, there's nothing like seeing a character and having the huge detail and roundness that a character in a book can give you. It's so much more full than a character in a script can give you, isn't it?
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