A Quote by Noah Baumbach
I graduated in '91, so the '90s for me were very much the first years out of school, so I can't really look at that decade as independent of my own experience of my 20s, really.
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Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
The 1960s and 1970s were the real years for independent film, because they were really independent. Plus, there were hundreds of distributors. There were all these companies that basically did exploitation, but they were independent. Now, there are very few independent distributors.
I really feel like I came out of the water when I graduated from college, because I wasn't really aware of what was going on. If certain people tried to take advantage of me or whatever, I never really realized it until I got out of school.
The fact is that in my prep school, I went to a boarding school, 39 young men graduated from that prep school. Five years later, a quarter of us were in SDS, in Students for Democratic Society. Not because we were particularly chosen or because we were as I say, we were lucky but we were mainly luckily to grow up at a time where this black freedom movement was really defining the moral character of what it meant to be a citizen and a person.
It's hard to find genuine 20s vintage in good condition, but it is out there. One tip would be to look in the 70s rails. When the first Gatsby film came out in 1974, it promoted a 20s trend, so you often find 20s style pieces, that were actually from the 70s.
I only worked theater jobs, but they were all really silly when I first graduated. I was a line monitor at 'Spamalot,' which means I got there at 8 A.M. and told people how much the tickets were for standing room. I was an NYU Medical School fake patient, to teach doctors how to talk to patients.
I was married for 19 years, but with my wife for the better part of 22 years. We met in college. So I didn't date during my 20s and 30s. And I didn't date really all of the '90s and 2000s, I was off.
At the same time that you've got to open yourself up to the fact that experience is going to teach you year after year, decade after decade. I remember I very badly wanted to write a newspaper column when I was only 21 years old, and I went to my editor and told him that, and he said, "You're a really good writer, but you haven't lived long enough to be qualified to live out loud."
The '90s and early 2000s were the 'I' decade. iPhone, the iPod - everything was about me. Look where that got us? In a terrible recession.
I was also very lucky to be able to work with talented people while I was learning. I didn't actually go to fashion school. I worked with Riccardo Tisci at Givenchy which was a really pivotal experience for me. He taught me a lot about being faithful to your own voice and to really believe in your own voice and that's made a big difference.
When I graduated high school, I bought a guitar and, at first, didn't really think I'd get into the songwriting thing as much as I did. But after learning a few songs of other people's to play on the guitar, I got bored with that and just started writing songs on my own, and that's kinda how it came about.
I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene. I had really short hair and started blurring the line a bit. But for me, grade school was about Benetton, Esprit, and Guess jeans.
Orlando's a really cool guy. They hired him for 'Lord of the Rings' out of drama school. He's very new at this still and doesn't have a lot of experience. So we were in this together and we've tried to help each other out. We felt very equal which was good.
Growing up I was very into art. In high school I was into the surrealists and impressionists, and I loved Klimt. In '91 or '92 I saw one of those Felix Gonzalez-Torres Untitled billboards. I was just really arrested by it. It was kind of my first foray into contemporary art. It was a turning point for me as to what art could be and what it meant and the impact it could have.
I was always very independent and looked out for myself. I think that ability really helped me in later years both in sports and in theatre.
The first year with the success that we had and let me point out that the time frame changes depending on which decade you look at it. In the seventies acts were kind of expected to do an album a year. If you look at the Beatles they were doing three a year.
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