A Quote by Noah Baumbach
Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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There are a few directors as a young person where I was kind of like, 'Well, these are a sure bet.' The Coens, Paul Thomas Anderson, Wes Anderson.
I want to work with Wes Anderson, Paul Thomas Anderson, the Coen Brothers, or Spike Jonze.
As an actor, you're just taking temperature. I am anyway, all the time, and responding appropriately. I was again cast very last-minute for Rushmore and met Wes Anderson, this quite physically and socially awkward man who didn't really talk to me much, a precocious and intelligent young boy. And Bill Murray. And we were sort of left in this bizarre hotel together and taken to strange locations around Houston. That was quite an isolating experience.
I moved out to L.A. to be a filmmaker or director. I didn't even think about doing comedy or even acting. I wanted to be like Paul Thomas Anderson or Wes Anderson, but I wasn't going to a lot of comedy.
The idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
Wes Anderson's films, 6-year-olds are crazy about them.
Besides kind of like the Wes Anderson, or, of course, a lot of the European movies, most everybody in the States, the big studios, make pretty much the same film. And we're kind of held to Pixar standards, or Disney standards, as it's kind of always been in the animation industry.
I think Woody Allen calls it 'anxiety of influence.' When you're in your formative years and you watch a movie that makes you want to make movies... For Wes Anderson, it's Truffaut. I'm sure for P.T. Anderson it was Scorsese and Jonathan Demme.
At its best, fantasy rewards the reader with a sense of wonder about what lies within the heart of the commonplace world. The greatest tales are told over and over, in many ways, through centuries. Fantasy changes with the changing times, and yet it is still the oldest kind of tale in the world, for it began once upon a time, and we haven't heard the end of it yet.
I rejected being a lot of things that I grew up in, and yet I didn't. I got all my tactics from where I grew up... I can talk about all the people in those environments more than I can talk about the teachers at Juilliard or anyone else.
Honestly, I don't think anyone confuses me with Wes Anderson. He's in his own terrific universe, but not the kind anyone would mistake for mine.
I grew up poor in East Houston. I used to be ashamed of it, but I'm not anymore. It's kind of a badge of courage now.
This is what I've dreamed about man. Putting this jersey on is a straight honor. Me being from Houston I'm giving it my heart and my everything because this is what I grew up watching and grew up wanting to be a part of. It's just an honor to play for this team.
I'd love to sign a contract for the soundtracks to every Wes Anderson movie, you know what I'm saying? Things like that, I have no spots on my conscience about.
I was born in Houston, Texas. I grew up in Houston, by Missouri City. It's, like, a suburb in the area; it's middle-class. But I used to stay with my grandma in the hood from ages one to six.
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