A Quote by Noah Baumbach
I know people who are incredibly successful who still dress the way they did when they were 18, just because they still think that's how they look good.
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It was never a marketing tool. People say that, but I dress this way for the same reasons I did when I first started doing it. It still comes from a serious place inside of me. I get up in the morning, and I think I just look better a certain way I do my makeup. I want to shine, I want to glitter. I'm not getting up thinking, "Oh, this'll get 'em." And I'm not doing it to make a statement. I'm just doing it to look like Dolly - the Dolly that I know and the Dolly that you know.
I think people who say radio is gone or radio is irrelevant are way off the mark. It's still by a huge degree the dominant medium. I know it's changing but radio is still incredibly important.
But I saw this video, not even the whole thing, and I just knew that it was going to be my favorite song for...for the rest of my life. And it still is. It's still my favorite song... Lincoln, I said you were cute because I didn't know how to say--because I didn't think I was allowed to say--anything else. But every time I saw you, I felt like I did the first time I heard that song.
Any of us can be happy and have a good attitude when everything is going our way. But I believe it's the real test of your character and of your faith to say, things are not going our way, but I'm still being good to people; I'm still attending church; I still have a good attitude. I think that's how you pass those tests.
The conservatism is extraordinary to me; just compare the way they dress to the way their parents dress. There are still no tattoos or piercings, which is interesting to me. Why does everyone who lives in one place dress alike, look alike, eat the same thing, and decorate the same way?
A lot of people are like, "Oh, it's so much easier to be a supermodel now because you have Instagram. You don't even need an agency anymore." But that's just not true. I still had to go to all the castings, I still had to go meet all the photographers, I still had to do all of that to get to where I am now. There wasn't a step taken out just because I had social media. I still have 12-hour days, I still have even 24-hour days sometimes; I still have to do all those things. We don't work any less hard than the '90s models did when they were young.
I don't really have a style icon but I really admire the way people dress like Gaga, Rihanna and Gwen Stefani. It's good to be inspired by singers who write music and dress incredibly - rather than models and people in the fashion industry who dress immaculately anyway because it's their style.
I think it's good that we're talking about it, but I think there's still a gendered nature to the way that people see female directors' skill sets. And I think we need to keep examining that. I don't know if people know how complicated the issue really is.
Every time the ATP or WTA speak about changing something, you see the reaction. So I think they're doing a good job because those people are still watching tennis 40 years later and they are still fans so I'm not sure they should change because I don't know how the fans would feel.
I think that the word 'ambitious' is still used in a derogatory way when it comes to women, in a way that it's not when it comes to men. It's a generalisation because not everyone is like this, but I think there's almost a love-hate relationship going on with successful women, where you can be a little bit successful and you'll be celebrated, but don't become too successful because that seems to bring out the hate in some cases. Take one glance at social media and you can see that successful women don't seem to be treated with the same respect as successful men.
When I've got all the makeup on and all the spit, polish and glue together, I look fine. But I know what I really look like, and I'm still that same little kid under there. I don't think I look that great. I think I did a good job of creating Morgan Fairchild. But I created her.
I worked with Dionne Warwick, did shows with Bette Midler, and then I did the 25th anniversary of the Rock and Roll Hall of Fame with Springsteen at the Garden. It was all important stuff because you want people to know you can work, you can sing, and you can still look good!
My idea was you can't dress for the stage, you have to dress all the time like you're onstage. And so I would just always wear suits or some form of it. I wanted people to know I played music. That was kind of how you would find other people: you would just walk around looking a certain way and end up meeting someone who liked the way you look.
Yeah, I used to dress badly until I was about sixteen. But people just didn't seem to have enough respect for me, you know And I didn't like that, so I decided I'd have to show them they weren't any better than me, you know? They were sort of priding themselves. They would say, 'He beat us at chess, but he's still just an uncouth kid.' So I decided to dress up.
If I can still be successful making films and no-one will ever know me, then that would be great. Because we (actors) just like to do what we do. People who are doing it for fame, I don't know if they ever get really successful.
I just go in the studio and do what I love to do. People will be people, they'll come and go, they'll like you then not like you, I just try to stay true to myself first and that's what most important because that way when you are successful you can stand up and say look, I did it my way and I did it the way that I wanted to do it.
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