A Quote by Noah Centineo

I auditioned for the leading role in 'The Kissing Booth' that came out on Netflix, funny enough. — © Noah Centineo
I auditioned for the leading role in 'The Kissing Booth' that came out on Netflix, funny enough.
In N.Y.C., I auditioned for mostly 'quirky friend' roles. Since casting directors in L.A. lacked a preconceived notion of me, I was able to reinvent my type a bit, which was essential in booking the role of Amanda on 'Ugly Betty.' I don't believe I would have auditioned for that role in N.Y.
A leading role as a POC young man in a series on Netflix - to me personally it's more important than just getting a job.
I owe my whole acting career to the fact that I'm a singer. I went out to Los Angeles and auditioned for a TV show called 'Fame L.A.' The original role was for a comedian, but they said I wasn't very funny, so they asked me, 'What else can you do?' So I played a singer.
I auditioned 5-6 times for 'Dangal.' I was just waiting for the final call, as there were about 15-16 girls who auditioned for the role.
It's an exciting time to be in television, and it's a really exciting time to be on a Netflix show. I remember when Netflix first came out, I didn't quite understand the DVD thing and why my husband was mailing it back.
I auditioned for the role of an angel in the Nativity play at school. I didn't get it. I auditioned for Mary; didn't get it. So I made up the character of the sheep who sat next to Baby Jesus.
A lot of actors get the leading role after doing a bunch of smaller things and people get to know them. I came out of nowhere.
I'm always open to not necessarily to do leading roles because I want to do roles that are the best, character role. And sometimes, it's not going to be a leading role. It's going to be a smaller, supporting role. So really, I'm open to doing anything.
I don't like kissing on camera. It's bad enough to be caught kissing by your parents. But when you have a whole crew watching you, it's a little weird.
Kissing on screen is just - funny enough, you're just acting, so you're distracted by that more than anything. Or at least I am.
I guess people just like Netflix. And they like rom-coms, and I was fortunate enough to book two random ones that got sold to Netflix.
I pulled him closer to me, wrapping my arms around him, kissing him just as desperately as he was kissing me. Like if we could just love long enough and hard enough and deep enough, then the world outside would never, could never hurt us.
I had started acting when I was 7, and I was always wrong. I would always get to the very end [of the audition], but I wasn't a perfect package of one thing. I wasn't a cliche, and it always worked against me. I wasn't pretty enough to play the popular girl, I wasn't mousy enough to be the mousy girl. Then there was a TV show that Toni Collette was starring in. And when a role to play a girl who was struggling with identity came, I thought: "Oh, this is what I was supposed to do. Everything's leading up to this moment." I was 18. I was like, "This is it." I didn't get it. And I was devastated.
I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.'
I jumped at the chance and auditioned for a leading role in the musical 'Hair,' which was touring in Berlin and London. I won roles in both productions and left my job as a secretary after 18 months in 1970 to join the cast of 'Hair' in Berlin. I opted for Berlin because a girl from my neighborhood was also going to perform in 'Hair' there.
I'm not seeking out genre films, but this just came my way, and Miramax was good enough to add a role for me because we wanted the chance to work together.
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