A Quote by Noah Hathaway
I don't want to sit and cry for an hour in a movie. I'd rather have an action or a comedy.
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We watch a romantic comedy because we want to cry, say, or an action movie so we can participate in heroics. Horror's different. It can hit you with a moment of revulsion so hard you might want to erase the last five minutes of your life, please.
For whatever reason, I think we have one type of animated movie and it's so wrong. I want to do a drama, I want to do an action, a comedy. In live-action, there are all sorts of movies. There's independent movies, big movies, action movies, funny movies, and for us we have one movie.
I always try to get games of different genres. This is the reason Postal is a comedy, and Far Cry is a real, pure action movie - like Die Hard on an island - and In The Name Of The King: A Dungeon Siege Tale was my opportunity to do my epic, Braveheart, Lord Of The Rings, Gladiator movie. I try not to repeat myself in genres too much.
An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.
When in a movie like 'Housefull' you have to create comedy out of falling on a glass table or jumping from huge heights, it's all action, but packaged as comedy. Here you don't just have to perform a heavy-duty action sequence, but you have to make it look funny and that is really difficult. But it's fun... and I really enjoy it.
I'd rather do comedy. I'd rather make people laugh than cry.
I'm such an action movie junkie that as an action fan, because action scenes are so heightened, we could never really picture ourselves in that scene. So when you're watching an action movie, you experience an action movie more outside of the aquarium: you know you're out of the aquarium looking in at all the swimming fish that are in there.
I want to do an action movie so badly, it just has to happen at some point in my career. I have to do an action movie. Like, I want to do the Angelina Jolie thing - the guns and the blowing things up.
You do a movie and, even if it's not a comedy or it's not an action film, you get a little taste of it, and then I want to do it full force.
I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
I am actually talking about possibly adapting 'The Boys,' by Garth Ennis, which would not be a comedy, but an action movie with comedy elements to it.
Just by nature, I think in comedy. I think in sketches and what have you. In every drama or action movie I've been in, I have to make a concerted effort not to turn it into a comedy. Every shot, before action is called and after cut is called, I'm usually in some goofy head space. It feels natural to me.
I look for characters that are fun and that I'm going to have fun playing. By the way, that's whether it's drama, sci-fi, action, comedy, family movies or action-comedy. I just always want to have fun doing it. That's the bottom line.
As we continue down the path of automation, virtually every city will have 24-hour convenience stores, 24-hour libraries, 24-hour banks, 24-hour churches, 24-hour schools, 24-hour movie theaters, 24-hour bars and restaurants, and even 24-hour shopping centers.
It's all based around the idea that basically VW cars are space age. They're the worst cars to use in action movie, because all the things you want to traditionally do in an action movie they won't allow you to do, because they make you drive safely if you want to or not.
It [moviemaking] is about entertaining audiences with great characters and great stories, you want to make people laugh, you want to make people cry, you want to have great music that is memorable. You want a movie that, as soon as it's over, you want to watch it again, just like that. That's what it is, whether it's live-action, animation, hand drawn, computer, special effects, puppet animation, it doesn't matter. That's the goal of a filmmaker.
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