A Quote by Noah Hawley
I'm attracted to ensembles: you get a lot of really good moving pieces. It's sort of like a horse race in a way, especially when you know that everyone is on this collision course. It's like, 'Who's going to make it?' And you can put people together in unexpected pairings.
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I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.
You get this really cool groove when you're playing just piano, bass, and drums where everyone's sort of feeling each other's space, which is the only way to put it, but it really is true, and everyone's sort of sitting in their own pocket. It's kind of jazz-like.
A lot of my songs, they're like puzzle pieces, and there's just one way to put them together. You could, if you needed to, get the scissors out and cut up things to make them work. But I don't want to do that.
I think you have to sort of accept that nobody really knows where it`s going so there has to be a lot of impulsive kind of attitudes. So it`s like a train that`s moving and you don`t quite know where it`s going but you try to steer it in the best way you can realizing that it may go in different places that you had no idea.
Heath [Ledger] would walk up to a horse and could like silence the horse. Just literally he'd be like, 'Shh. Shh.' And then he'd get on the horse. I'd be like, 'I'm going to get on you.' They'd be like, 'F - off!' I didn't really have that style.
You make something, and you really have fun with it, and you try to put emotion in it, and at the end of the day, you have no idea how the tide is going to fall. You don't know if everyone's going to like it, if everyone's going to hate it, if it's going to be like you're a media darling, or all of a sudden you're a sellout. You have no idea.
I used to be Amish. I had to stay a lot with my grandparents or aunts and uncles who are Amish, so I was sort of partially Amish. When I go back there now I still get into that culture. I can drive a horse and buggy because they don't use cars. And, of course, there's no electricity. I respect them a lot. The Amish like to live a very plain lifestyle, the way they think God intended. It sort of brings you back to like Little House on the Prairie days or something.
Because if you remember - and people forget this - the first two years of Game of Thrones everybody was going, "I don't know what's going on, but I really like it." And you really didn't know what to make of a lot of people, and now it's changed and people aren't really talking about that. Now it's like you're watching West Wing or Friends, you know the characters and you're like, "What in the world is going to happen?"
There's so many mysteries related to how flies are able to make their way through the world. I'd certainly like to know a lot more about how their brain works. I'd certainly like to know a lot more about just how they're put together. I mean, these animals are basically, topologically, spheres. They don't have bones as we do, of course.
I don't feel badly about that. There's a lot of energy on the golf course. The guys are playing great. I like the pairings in the afternoon. I'm going to take what we've got.
I'm a rewriter. That's the part I like best . . . once I have a pile of paper to work with, it's like having the pieces of a puzzle. I just have to put the pieces together to make a picture.
I think I'm the only professional horse rider from the movie industry. Strangely, I've seen no men from the industry at equestrian events. Though I've seen some ladies like Diya Mirza and Lara Dutta at the race course. Women, by the way, make superior horse riders.
To a certain extent everybody has a certain sort of way of being a persona that they learn how to be when they're really little. They figure out that if they're really funny, or really pretty, or if they work really, really hard or are really smart, then that's what's going to get them by. That is what is going to make people like them.
Everything beyond getting together felt like a bonus and made everyone feel really relaxed. It's not like people don't scrutinize their own decisions or those of others, of course, but that's both good and bad.
And for those of us who have, you know, looked in sort of the established order of the political fray over the course of the past several years, it looks like chaos. But to the people I think it looks like democracy. And I think that that's something that really is moving us to a new reality, where the parties are going to have to retrofit themselves and adapt to this new realignment.
Every once in awhile, Allison Abbate would drop a note and say, "It's going really well!," and I was like, "Great!" So, I had not seen it in about two years. They went off and started shooting, and I saw it all put together with almost the final sound mix and it was remarkable. I was so, so happy and relieved, not in the sense that I thought something had gone wrong, but you just don't know what something is going to be like until you see it put together. Everyone stepped up and brought their A+ game.
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