A Quote by Noah Hawley

The anthology format is completely normal to me. That's just how TV works in my experience. — © Noah Hawley
The anthology format is completely normal to me. That's just how TV works in my experience.
When people tell me they're trying to meditate, I always know they don't have a format yet that works. I encourage a real meditative format that you use daily, because meditation is incremental and it only works if done every day.
Remember: TV is a format, film is a format, and books are a format.
I'm incredibly proud to bring back 'Tom Green Live' for a third season on AXS TV. AXS TV's commitment to unique, out-of-the-box humor, in a completely open and uncensored format, is unparalleled.
It was just normal for me growing up with a family member with severe Down Syndrome. It was completely normal. She was just Auntie Linda. I loved her and she loved me. She had a spirit that was just positive. For me it taught me tolerance and acceptance of all human beings.
What we don't realise when we watch a normal film is how many times someone has run in just before a shot quickly to wipe away that sweaty moustache. You never see a normal spot, a bag under the eye or an unplucked eyebrow, because that's not how Hollywood works.
I just am who I am. And then when people label me eccentric or different, I'm kind of astonished because I think, 'This is completely normal. This is just how I am, it's how I've always been.'
I just am who I am. And then when people label me eccentric or different, Im kind of astonished because I think, This is completely normal. This is just how I am, its how Ive always been.
I wouldn't trade the childhood we had because, A, It was normal to me, even though, in hindsight, it's not normal. It felt normal, and I think we maintained a pretty normal healthy attitude towards what we did. And B, I just wouldn't trade it, the experience that we had and the growth we've had.
As a format, I have watched shows from the West. I have tried to understand what it is and how this format is treated by writers, directors, and actors. I have been studying this format for four to five years.
Every time you jump to another format in the 'picture business,' meaning film, television, commercials, the people in the other format go, 'Ah, yeah, you made a lot of features, but you don't know how to do TV' or the commercial people go, 'Oh, you can't do 30 seconds.'
Way back in 1989, I got lucky with my first published story when it was selected for the Journey Prize anthology. Then I got lucky three more times. It is astounding to see how many writers published in the anthology have gone on to publish great story collections and novels. The anthology is a windfall for both writer and reader.
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
I live a very normal life. I have friends, and I've always gone to school. The part that's not normal is that I've been working since I was 9 months old, but at the same time, it's completely normal to me.
You could imagine something like a completely automated system for renting bikes that's just done completely over blockchain crypto-payments. And theoretically just sort of start it up, and it works completely autonomously.
For each person, they live their life and their truth and how it works for them, and that's just kind of how it works for me. I'm not good at doing whatever the other way is - it wouldn't work for me.
It's a collective experience when you're making TV. You think of all the people who work hard to make this extraordinary and you just hope that it works well.
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