A Quote by Noah Hawley
I love the idea that the editing room is the final time you write. You should still be creatively solving problems even at that point. It's not really until you're locked that you can call it quits.
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You know you're ready to write a book when you have a feeling that you should do it, no matter what anybody says. It's like falling in love or starting a company. When you're still wondering if you should get married or you're still wondering whether you should start a company that might be not the right person or the right idea. And writing is the same way. When you've locked on to the topic, you'll just write it.
The idea that a film is created in the editing room - it's only a certain kind of movie that's made in the editing room and it's not one that I really want to see.
What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
Anarchism is surprisingly effective in solving actual problems largely because anarchists have thought a lot about solving actual problems on a micro level in ways that other political ideologies don't really feel they have to until after they seize state power.
Solving problems is fine, but it has gotten to the point of being a global obsession. We somehow have it in our heads that if we solve all of the problems, we can sit back and enjoy the easy life. But in reality, we become lazy and complacent. And that's when we get flooded with even bigger problems.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
I would certainly love to be playing Mario Kart up until the wee hours, but sometimes I've just got to call it quits.
Solving problems—actually solving them, not just claiming you do—solving perceived, urgent problems, is a surefire way to get the world to beat a path to your door.
I do very, very, very simple, skimpy doodles, nothing too committed. Because people tend to fall in love if they like it - if you color it in and they like it, then they want exactly those colors, even if they were just indications. You really have to do it as simple as possible so they can concentrate on the idea and composition. And then all of the energy goes into making the final piece. And the final piece can be anything - it can be a drawing, a painting, a collage - and usually, it's obvious what that should be. Usually, the idea dictates what medium you use.
When I'm creatively solving problems, I'm in my sweet spot, and nothing can take me out of that joyful present.
Call-time has renewed my faith in the need for public financing of elections. 'Call-time' is where I as the candidate, sit in a room with my 'call-time manager,' and a phone. Then I call people and ask them for money. For hours. Apparently, I'm really good at it.
Call-time has renewed my faith in the need for public financing of elections. Call-time is where I as the candidate, sit in a room with my “call-time manager,” and a phone. Then I call people and ask them for money. For hours. Apparently, I’m really good at it.
If we really want to love, if we really want to live, we must love until it hurts . . . No Rotarian whose motto is Service Above Self, I think, should call himself a Rotarian if he does not make time to serve . . . If we love, we begin to serve
I watched a lot of movies from all over the world. The Russians were very good at editing. They were specialists in editing. The Man with a Camera, if you know that movie, is incredible. I still don't understand how it works. It's a movie with no script, no actors and still it works. It's really good. It's really about editing.
Your job as an executive is to edit, not write. It's OK to write once in a while but if you do it often there's a fundamental problem with the team. Every time you do something ask if you're writing or editing and get in the mode of editing.
Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems. It's just too complicated - negatives, tinting, flashing - it's a whole new system that takes a lot of time. Of course, it's not as physical. Even the editing. You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.
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