A Quote by Noah Levine
The truth is, going against the internal stream of ignorance is way more rebellious than trying to start some sort of cultural revolution.
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Ignorance is in relationship to content; it is not just a spirit of ignorance. In verse 21 it speaks of "the truth in Jesus." Truth is content, truth has something to do with reason. Truth has something to do with the rational creature that God has made us. The dilemma here in the internal world is not just some sort of grey fog, it is in relationship to content.
As the American Muslim community gets a little bit freer in terms of not being under the thumb of that kind of oppressive mentality, there is going to be some internal dissent. When you are consciously oppressed, you tend to sort of band together and unite because there's a necessity to do so. And that as that proceeds, some of those difference get more into the fore and I think that's the reason you are seeing some internal dissension as a byproduct of the fact that there is not this kind of immediate urgency to unify against this kind of onslaught because that onslaught is refuted.
Chinese people of my parents' generation who lived through the Cultural Revolution knew so much of death at such a young age, and the psychic toll those experiences left was immense. I knew the stories of the Cultural Revolution before knowing what the Cultural Revolution was.
The current information revolution is a cultural revolution, a social revolution, a thoroughgoing technological revolution that involves not just information, but labor, leisure, entertainment, communication, education, culture and thus is part of a major cultural and social shift.
So many people that we met had some sort of connection to the [Olympics] games. Some story about how they volunteered there, or some sort of memory of it. It still is in the cultural memory and identity of these cities as much as it is in the physical and architectural memory. It's where these two things overlap, I think, that we're trying to explore with the photos.
You have to start with the truth. The truth is the only way that we can get anywhere. Because any decision-making that is based upon lies or ignorance can't lead to a good conclusion.
People in Detroit aren't just urban gardening. They're starting a new mode of education. They're trying to give children the education to be "solutionaries" rather than people who are going to get jobs in the system. And that is a huge change, a cultural revolution.
The Sexual Revolution is a complete rebellion against authority, natural and supernatural, even against the body and its needs, its natural functions of child bearing. This is not reverence for life, it is a great denial and more resembles Nihilism than the revolution that they think they are furthering.
Cultural synthesis is how a compromise between various opinions is worked out. But truth does not change, and truth is not arrived at by some sort of compromise.
The goal is to talk about the issues that are happening in the USA with the ultimate goal of making change. Not just some rebellious act that we're trying to have against our country.
I'm trying to make a primitive painting. I'm trying to summon the archaic. I want to enter into a primitive situation. This is my protest against the sensory deprivation that we experience, which is due to this tendency towards globalization, towards homogenization, towards the generic - a technological standard rather than an aesthetic standard. I'm mining history, trying to regenerate a pictorial situation that is more humanistic. It's not about commodification, it's not about fitting into some sort of corporate structure. It's opposed to that direction.
I like people to be surprised by the turn of events. I don't want things just to be pat and formulaic. If there's some sort of internal combustion in the character or a desire to change the way things are going, that makes for conflict, which is the essence of drama.
Yes, I am one of those people who feels that most of my work is adaptation of one sort or another. For me, it's a way to jump-start the engine. For example, some people use the technique of basing a character on a friend. They start writing with his or her voice, then at a certain point, the character takes off on his or her own. It probably no longer resembles the model, but it helped the author to get going. I find that's true of form, too. For every play I've written, I know what play I was trying to imitate. That helps me get going.
I start looking for adjectives in news reporting, and if there are too many of them, if they're all sort of repeatedly designed to influence my thinking in a certain way, I start getting concerned. I'm leery of people trying to paint a picture in a certain way.
It is a democratic uprising. I'd say a democratic revolution against imperialism and against capitalism. So the agreements between us, more than that, any cooperation means unconditional credit, while the US and some capitalist countries want to help us under conditions, under blackmail.
When I first started [taking acting classes] I sort of stuck my toes in but I was so nervous I didn't know if I could go all the way. I was so scared about it for some reason. The more confident I got with it, the more I just fell in love with it. I love going to work every day and trying to make the most of the stuff I've been given.
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