A Quote by Noah Schnapp

I always say what makes acting so much easier is when you get to act off of good actors. — © Noah Schnapp
I always say what makes acting so much easier is when you get to act off of good actors.
We have so much access to one another through technology and everything else, that we're very much used to people being real. When folks go on TV and they're basically acting - if they were good actors they'd be acting and paid for it for a living, but they're not good actors. When we see bad acting, it doesn't look like bad acting, it looks weird, and we are turned off by it. I'm not talking about anybody in particular, that's just politics right now. This generation, I feel like, has incredible bullshit detectors.
When you act with phenomenal actors, it makes your job much easier because all you have to do is react.
The pressure is always stepping on stage with actors who are just so well-established. It's a scary thing. I haven't been around the block that many times, especially not on big projects. Dialogue makes things easier. When you start bouncing dialogue off of other actors, it becomes comfortable; it becomes conversational.
More than good co-actors, if you have understanding co-actors, it becomes easier to relate with them. Many actors become insecure and get personal, which is not right.
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
It's much harder to act in a bad film than in a good one. A terrible script makes for very difficult acting. You can win an Academy Award for some of the easiest acting in your career, made possible by a brilliant script.
I always say if you've seen good acting on television, those actors are really good. Because there's just not enough time. You don't have any preparation.
Some actors get by with behaving, not acting. You've got to sell the effect. I act more in the 'Nightmare' movies because it's not like me. I'm acting, not reacting.
I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
It's much easier, for example, to play a heroin addict and you're withdrawing - you tear the ceiling off - that's much easier than it is to come in and say, 'Hello.' Or, 'I love you'. When you judge it in that way, the heavy isn't as difficult.
I'd love to perform with other actors and act with actors, true actors. I would like to be in a movie and have full room for acting.
For people who seriously want to get into voiceover acting, clearly the most important thing is that you must be a good actor. That comes first. That's why celebrities get so much work in voiceovers - we've seen their work, we know they're good actors.
Young actors ask me for advice. They say, 'Should I get an agent?' I tell them, 'Don't worry about that. Act, act, act. Get into that production of 'The Three Sisters' in a church basement. Consider every audition a chance to act, even if it's just for three minutes. Just do it whenever and wherever you can.'
To be able to work with actors who are doing such good work, not only makes it easier for you, but it makes you better.
Fuzzy thinking leads to hesitancy in acting. Clear thinking makes it easier to act boldly and consistently.
I think it makes the game much easier to play once you have a good cohesion off the court. I think that's big because you come into a locker room at the NBA level, there's so much emotion, so much pride in the locker room.
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