A Quote by Noah Wyle
Going forward, I have four different ways of approaching what I want to do - I can generate my own material by writing. I can produce, direct, act, or do a combination of these things, mixing it up.
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If you want things to change to different things, you must think different thoughts. And that simply requires finding unfamiliar ways of approaching familiar subjects. Ask and it is given.
I'm not sure I'm going to say that women and men are exactly the same. I think we may have different ways of approaching things, different sensitivities, and women are often better than men at picking up emotional cues.
To do six to 10 episodes of high-quality writing, and then be able to go direct my own things, and do a movie, if it comes along, sure. I just want to act and do good work.
I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
When you produce and direct, your movies are different to you. They're not just something you act in.
I want to produce. I want to direct. I want to be my own camera man. I want my own boxing club. I have it all written down. I want to do everything.
In the digital age, we filter forward instead of filtering out. As a result, all that material is still available to us and to others to filter in their own ways, and to bring forward in other contexts.
Great art is not instant. It comes from experience, it comes from a place within. If you're trying to generate material, then you're going to generate stuff. It's not going to be great, it's just going to be stuff.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
I basically wake up at five in the morning and grab coffee and just get to the studio. And I have a list of things I need to get done every day. Sometimes it's just mixing, sometimes it's actually writing, sometimes it's writing, recording, and mixing. It all depends on what is necessary that day.
I act, produce, and direct. They are three different jobs all within the same realm of creativity. I enjoy all of them equally, but ultimately, I'm an actor.
The comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.
When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre. I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet. Or the comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.
Certainly it was no design of the atoms to place themselves in a particular order, nor did they decide what motions each should have. But atoms were struck with blows in many ways and carried along by their own weight from infinite times up to the present. They have been accustomed to move and to meet in all manner of ways. For this reason, it came to pass that being spread abroad through a vast time and trying every sort of combination and motion, at length those come together that produce great things, like earth and sea and sky and the generation of living creatures.
If you decide to go on a Buddhist path, you have to be careful if you start mixing a lot of different traditions you are not totally familiar with - mixing this kind of meditation with that kind of practice or this kind of visualization with that kind of mantra. Then you really are concocting your own thing, and you have no idea what is going to happen.
I have about four different endeavors I'm going after right now. They all excite me in different ways. I'm all about keeping as many irons in the fire as possible. I'm writing music, trying to write a book (aren't we all?), putting a festival together, speaking... It keeps life interesting.
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