A Quote by Noam Chomsky
I mean, it’s true, nobody talks about them, but when you bring it up, the idea that you have to rent yourself to somebody and follow their orders, and that they own and you work there, and you built it but you don’t own it, that’s a highly unnatural notion. You don’t have to study any complicated theories to see that this is an attack on human dignity.
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You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
I always made up my own acts; built them out of my knowledge and observation of real life. I'd had wonderful opportunities to study people; and every time I went out on the stage I tried to show the audience some bit of true human nature.
Love for others and respect for their rights and their human dignity, irrespective of who or what they are, no matter what religion - or none - that they choose to follow, will bring about real change and set in motion proper relationships. With such relationships built on equality and trust, we can work together on so many of the threats to our common humanity.
True art is creation, and creation is beyond all theories. That is why I say to any beginner: Learn your theories as well as you can, but put them aside when you touch the miracle of the living soul. Not theories but your own creative individuality alone must decide.
Executives will talk about the importance of passion, but what they really mean is finding somebody who will work nights and weekends on their assigned task but predictably and reliably follow orders and just work harder.
We live in worlds that we have forged and composed. It's much more true than any of the species that you see. I mean, it seems to me that one of the most distinctive features of human intelligence is the capacity to imagine, to project out of our own immediate circumstances and to bring to mind things that aren't present here and now.
I came out of UCB and, before that, punk rock, and the whole deal was you do it yourself. Get up and rent the space, get up and press your own records, get up and silkscreen your own tees, get it done yourself. That sort of self-reliance will only serve me. Any time I lose sight of that, my career suffers.
I always wanted to create this community that would come and tell their own story, shoot it - and watch them. The idea is to not have one entity who creates the work, the project, and another entity who consumes it; the idea is people create their own work, like somebody cultivating his garden.
Trends are dangerous; you will fail if you design for them. You cannot follow the work of others. I have my own DNA, my own formula. I always stay true to myself and to the brand.
For me, language is a freedom. As soon as you have found the words with which to express something, you are no longer incoherent, you are no longer trapped by your own emotions, by your own experiences; you can describe them, you can tell them, you can bring them out of yourself and give them to somebody else. That is an enormously liberating experience.
The kind of love my mum talks about is full of worry and work and forgiving people and putting up with things and stuff like that. It's not a lot of fun, that's for sure. If that really is love, the kind my mum talks about, then nobody can ever know if they love somebody, can they? It seems like what she's saying is, if you're pretty sure you love somebody, the way I was sure in those few weeks, then you can't love them, because that isn't what love is. Trying to understand what she means by love would do your head in.
Nobody talks about my contribution to the sport. Nobody talks about the 101 medals I have won in my 20-year career. Nobody talks about the efforts I made to attain those heights.
The Congress talks and talks and talks and talks, but doesn't act. I'm going to continue to work with my colleagues on the other side of the aisle to bring about comprehensive immigration reform.
It's really nice to see that, looking at all sides of the abortion issue - from the person who doesn't want to have kids so they're going to have an abortion and that's not traumatic for them, to somebody who loses a wanted pregnancy, to somebody who has complicated feelings because of their religion. We can talk about all of those complicated and individual stories and not feel like there's any one abortion story that's right or wrong.
I write with the idea that nobody will care about what I've written; I publish with the idea that nobody will care either. Which is why every time somebody cares enough to read a novel of mine, or respond to it - a reader, a reviewer, even my own editor - I'm a little bit amazed, and so hugely grateful.
Perhaps that is our doom, our human curse, to never really know one another. We erect edifices in our minds about the flimsy framework of word and deed, mere totems of the true person, who, like the gods to whom the temples were built, remains hidden. We understand our own construct; we know our own theory; we love our own fabrication. Still . . . does the artifice of our affection make our love any less real?
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