A Quote by Noam Chomsky
There is a kind of nonlinguistic thought going on which we are trying to represent in language, and we know that sometimes we fail.
Related Quotes
There is a pretty interesting document called 'action writing.' Which is not all about spontaneity and first thought, best thought,' but a certain kind of attention to the smallest increments of the phonemes of language, The kind of power of connection, what he is able to do with language.
Reading and writing and the preservation of language and its forms and the kind of eloquence and the kind of beauty which the language is capable of is terribly important to the human beings because this is connected to thought.
I think the most important work that is going on has to do with the search for very general and abstract features of what is sometimes called universal grammar: general properties of language that reflect a kind of biological necessity rather than logical necessity; that is, properties of language that are not logically necessary for such a system but which are essential invariant properties of human language and are known without learning. We know these properties but we don't learn them. We simply use our knowledge of these properties as the basis for learning.
If we don't give kids the opportunity to fail when they're growing up, and to fail productively, to fail creatively, that they're going to get out there into the world and they're going to hit some kind of setback, like everybody does, and they're going to get completely derailed.
The old grey donkey, Eeyore stood by himself in a thistly corner of the Forest, his front feet well apart, his head on one side, and thought about things. Sometimes he thought sadly to himself, "Why?" and sometimes he thought, "Wherefore?" and sometimes he thought, "Inasmuch as which?" and sometimes he didn't quite know what he was thinking about.
I think you just have to work as hard as you can. Sometimes you're going to fail, but the way I look at it is if you're always focused on the process, you're going to fail forward, and you're going to keep building and growing.
You know, they were returning to the language of the people and trying to use musical language, particularly as Copland did to create a musical language in which all Americans would feel that they had a stake.
If you run a website that doesn't have something that's terrible on it, you are not trying hard enough. You have to fail, fail, fail. You have to fail and fail miserably many times.
He's brilliant. At first, I thought, 'Oh, is he going to be Hollywood stud-like?' But he's a really kind, wonderful person. He said to me one day early in the making of the movie, 'You know, I was kind of worried about you'. He thought I was going to be a perfect skin, which I am certainly not. It didn't take long for Leo to crack and see who I really am, and we became very close. but, I must say, he is absolutely gorgeous.
I don't know the rules of grammar... If you're trying to persuade people to do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think. We try to write in the vernacular.
I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling.
You are going to fail in sport, you are going to win sometimes, you are going to be criticised sometimes, you are going to be applauded - so it gives you... well, it's certainly given me anyway, those real-life lessons that make you bulletproof.
One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain.
It's kind of a rule of thumb for me to self-doubt going into any kind of project. I always think that I shouldn't be doing it and I don't know how to do it and I'm going to fail and that I fooled them. I always try to find a way out.
If everything I did failed - which it doesn't, it actually succeeds - just the fact that I'm willing to fail is an inspiration. People are so scared to lose that they don't even try. Like, one thing people can't say is that I'm not trying, and not I'm not trying my hardest, and I'm not trying to do the best way I know how.
when Christian theology becomes traditionalism and men fail to hold and use it as they do a living language, it becomes an obstacle, not a help to religious conviction. To the greatest of the early Fathers and the great scholastics theology was a language which, like all language, had a grammar and a vocabulary from the past, but which they used to express all the knowledge and experience of their own time as well.
Related Authors
Aung San Suu Kyi Quotes
Burmese
Activist
Bill Ayers Quotes
American
Activist
Edward Snowden Quotes
American
Activist
Elizabeth Cady Stanton Quotes
American
Activist
Emma Goldman Quotes
Russian
Activist
Gloria Steinem Quotes
American
Activist
Jesse Jackson Quotes
American
Activist
Julian Assange Quotes
Australian
Activist
Louis Farrakhan Quotes
American
Activist
Malala Yousafzai Quotes
Pakistani
Activist
Malcolm X Quotes
American
Activist
Michael Moore Quotes
American
Activist
Peace Pilgrim Quotes
American
Activist
Shane Claiborne Quotes
American
Activist
Thomas Paine Quotes
English
Activist
Van Jones Quotes
American
Activist