A Quote by Noam Chomsky

In Europe there's kind of a reaction to the European Union, kind of a move towards some kind of regionalization. It's more advanced in some regions than others, like in Spain for example. Catelan was repressed under Franco. People spoke it, but not publicly. It's now the language of Catelonia. The Basque language is being revived, not just the language but the culture, the folk music and everything else. So you're getting more diverse societies, and it's happening in Britain as well.
If you go back a century in Europe, all over the place people were speaking different languages. There were dozens of languages in France and Italy, and they're all called French [and Italian], but they were not mutually comprehensible. They were different languages. And they have mostly disappeared in the last century or so. Some are being preserved, like Welsh, some are being revived, like Basque or Catelan to some extent. There are plenty of people in Europe who can't talk to their grandmother because they talk a different language.
The Greek language seems different than other languages. I'm not the only person to think this. Usually, I come up with some kind of dopey metaphor for why it's different. But it seems, somehow, more original, more like being in the morning of language.
I just love any kind of language that can change the energy in a room. There are no limits for me, as long as it feels like it's being used in a particular way to garner or elicit a very particular reaction, so that you can then use that reaction later for something else. But when it's gratuitous language or physical exposure, then I get a bit like, "Oh! Put it away!"
One must avoid ambition in order to write. Otherwise something else is the goal: some kind of power beyond the power of language. And the power of language, it seems to me, is the only kind of power a writer is entitled to.
I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
I just love any kind of language that can change the energy in a room. There are no limits for me, as long as it feels like it's being used in a particular way to garner or elicit a very particular reaction so that you can then use that reaction later for something else.
I'm a writer in the world. I translate the confusion that I might feel, the dread that I know I feel, moving towards some other place, moving away from puny language, from all that dread into some other kind of language.
The ethos of 50 years ago was that there was one kind of English that was right and everything else was wrong; one kind of access that was right and everything else was inferior. Then nobody touched language for two generations. When it gradually came back in, we didn't want to go back to what we did in the 1950s. There's a new kind of ethos now.
It seems that in almost all societies, the attitudes that people have to language change is basically the same. People everywhere tend to say that the older form of a language is in some sense 'better' than the form that is being used today.
My mother always spoke to me in English, so it's technically my maternal language, and it became a kind of private language - I was happy that I could speak in English to my mum and the majority of people wouldn't understand it.
I really love Anglo music, and the language as well. Like, my kids, they - born here, Miami. So I just - a little bit more familiar with the language.
So many new things have been discovered in the 20th century that now, at the end of the century, we need some kind of synthesis, some musical language which will allow us just to write music.
A special kind of beauty exists which is born in language, of language, and for language.
Reading and writing and the preservation of language and its forms and the kind of eloquence and the kind of beauty which the language is capable of is terribly important to the human beings because this is connected to thought.
Language should fulfill your individual existence as a wholesome human being... Language should be more than just getting by.
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