A Quote by Noam Chomsky
If a person chooses not to be a writer, or speaker, then (by definition) the person is choosing not to be engaged in an effort,"to bring the truth about matters of human significance to an audience that can do something about them," apart, perhaps, from some circle of immediate associates.
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The responsibility of the writer as a moral agent is to try to bring the truth about matters of human significance to an audience that can do something about them.
God makes something special and unique about each person that sets them apart from every other person, and to me that's is what artistry is about, whether you are a plumber, a pinter, a musician whatever it is that is unique about you that is translated into your art.
So from then on, he looked at all his choices and said, What would a good person do, and then did it. But he has now learned something very important about human nature. If you spend your whole life pretending to be good, then you are indistinguishable from a good person. Relentless hypocrisy eventually becomes the truth.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
I can tell you that the book 'The Ugly Truth' is about puberty and all the awfulness that comes with that time in a person's life. It was definitely some different subject matter to be writing about, especially knowing some of my audience are second and third graders.
Every time one person chooses a new way to respond to the challenges of life, each time an individual chooses a new option, that person then becomes a living bridge for all the others who choose to follow in that person's path.
some things don't matter much. Like the color of a house. How big is that in the overall scheme of life? But lifting a person's heart--now, that matters. The whole problem with people is...they know what matters, but they don't choose it...The hardest thing on earth is choosing what matters.
Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
The truth is that most people have a better chance to be uncommon by effort than by natural gifts. Anyone could give that effort in his or her chosen endeavor, but the typical person doesn't, choosing to do only enough to get by.
A person who sees a problem is a human being; a person who finds a solution is visionary; and the person who goes out and does something about it is an entrepreneur.
In the U.K. - correct me if I'm wrong - there is a legal definition of 'not being in possession of yourself' aka 'not being a person.' That's the fun thing: someone such as a lawyer needs to define, using some empirical signal, something supposedly transcendental like 'person,' something lawyers argue and argue about regarding, say, chimps in zoos.
One of the things about crowd work that's so exciting is when you discover a character in the audience who's interesting or funny, who you can vibe off of. If someone's got a weird job that you can make reference to throughout, or you can bring that person onstage - humiliate them, or celebrate them! You can put people in conversation with one another. The best is when something that they're doing can reflect back on something that you're doing.
I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for one, because you have to give the listener something and he has to make an effort in order to understand certain things.
There's something really nice about missing the person you're with. To have someone be apart enough to force independence and to also look forward to seeing that person.
I think of the medium as a people-to-people medium, not cameraman-to-people, not direction-to-people, not writers-to-people, but people-to-peopleYou can only involve an audience with people. You can't involve them with gimmicks, with sunsets, with hand-held cameras, zoom shots, or anything else. They couldn't care less about those things. But you give them something to worry about, some person they can worry about, and care about, and you've got them, you've got them involved.
The average American expends more time becoming informed about choosing a car than choosing a candidate. But, then, the consequences of the former choice are immediate and discernible.
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