A Quote by Noam Chomsky
All you have to do is read the business literature. In the 1930s they were very frightened and they were concerned about how the rising power of the masses was hazardous to industrialists.
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My family was in two businesses - they were in the textile business, and they were in the candy business. The conversations around the dinner table were all about the factory floor and how many machines were running and what was happening in the business. I grew up very engaged in manufacturing and as part of a family business.
When my first child was born in 1962, I wrote a letter to my grandfather telling him how happy I was but how concerned; concerned because there were so many visions which were not very good.
Why were the little girls all frightened To be just what they are The boys were told to ask themselves How high how far The girls were told to reach the shelves While the boys were reaching stars That's why little girls were frightened To be just what they are.
I love the Russian classics very much, the Russian classical literature. But I also read modern literature. As far as Russian literature is concerned, I am very fond of Tolstoy and Chekhov, and I also enjoy reading Gogol very much.
Like a lot of people, I'm very, very concerned about Senator Clinton's record. I'm very, very concerned about where her positions were in the 1990s, when we had some of the most disgusting legislation in terms of our criminal justice, really, in this country's history.
You remember that I told you it was safer not to know. But,' he went on, as his hands moved wuth their sure and practiced motion, 'I will tell you just a little, because you were so very brave.' Brave?' Annemarie asked, surprised. 'No, I wasn't. I was very frightened.' You risked your life.' But I didn't even think about that! I was only thinking of-' He interrupted her,smiling. 'That's all that brave means-not thinking about the dangers. Just thinking about what you must do. Of course you were frightened. I was too, today. But you kept your mind on what you had to do. So did I.
If you look at the beginning of children's entertainment in literature, the first books that were written for kids were cautionary tales. They were books that were there to teach kids about growing up and how to live life.
My mother was largely a housewife until she and my father were divorced. No one in the family read for pleasure - it was a very unintellectual household - but my mother did read to us when we were little, and that's how I started to read.
My interest was in renaissance literature, looking at how men were writing for women in the 1590s, a time when many women were being taught to read but not to write.
In spite of where we were, how we had gotten here and why we had come, I felt that at this moment of our lives, this place was exactly where we belonged. We were not drifting but rising, rising toward something right and of significance.
If you read about Mussolini or Stalin or some of these other great monsters of history, they were at it all the time, that they were getting up in the morning very early. They were physically very active. They didn't eat lunch.
The early industrialists were for the most part men who had their origin in the same social strata from which their workers came. They lived very modestly, spent only a fraction of their earnings for their households and put the rest back into the business.
The Gospels were not thought of as works of literature. People were not concerned with the literary reputation of Matthew or Mark, but with the substance of their records of our Lord's life. They did not have to respect their actual words, as they would if they were transcribing the works of Thucydides or Plato.
I am concerned about how to reverse the process by which a fundamentalist right and a corporate elite were able to seize power in the United States.
We were not given any statistics as to how many records were pressed on the blue label. I used to ask Bob Shad how we were going to get paid from record sales and what I got for an answer was not to worry about the business end of the deal.
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
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