A Quote by Nobuo Uematsu
So I don't really have a clear plan, in terms of music, as to where I want to head in the future.
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I want to be someone who is respected and not just in terms of my music. I want to be respected in terms of the way that I treat people... Music is my creative outlet in terms of expressing what is important to me; what has importance, what has a value. And I wanna be respected for that.
I don't want to do a gimmick. It's a bummer that that's how it is. I would say, personally speaking, consuming music now is harder than it was before. It's like being stuck in a slot machine. There's just so much noise. It's just constant noise. It's harder to clear your head and give the time to music that a lot of it really deserves. It's really crazy how different your relationship to an album or music becomes, even if it's digital, if you spend the $7 to $10 on it. It forms this relationship where you're not just going to throw it away.
We can no longer stand at the end of something we visualized in detail and plan backwards from that future. Instead we must stand at the beginning, clear in our mind, with a willingness to be involved in discovery... it asks that we participate rather than plan.
People that plan interviews are really boring. I just say what I want when it comes into my head.
The thing that surprised me is you hear a lot about NBA guys, do they really want to be coached? My experience is they really do want to be coached. They want a plan: 'How are we going to win the game?' And they'll follow that plan.
I want the music to be heard as close to when I made it, as much as possible. I don't want to get into some "future of the music industry" thing, or where I stand on digital this or that, but I think it's ridiculous that a lot of people in the industry plan so far ahead that it makes a lot of improvisation impossible and makes a lot of people's expectations fixed and not fluid.
I really love to ride my motorcycle. When I want to just get away and be by myself and clear my head, that's what I do.
In terms of CBS, I think that the consistency for them, it feels like they have a really clear sense of who they are and what they want, and they're able to keep delivering very consistently on their brand, which is really terrific, and I think NBC has taken some really smart and interesting routes in the things that they've done.
I want people to really recognize that this is what I am naturally good at: I'm really good at making music and describing your feelings vicariously through my experiences, through my past and my future. I want people to relate to me in multiple ways and be versatile in my music.
I'm always weary of connotations. I don't want people to listen to the music I make presently because they liked my previous work, or to dismiss it because they didn't. I'm guilty of this as well - having preconceptions about other artists - but it's stupid because all music exists on its own and should be listened to with a clear head.
I try to listen to all music with an open head, a clear head, try not to say just because I don't know it, it's weak.
Maybe you have a particular type of sound you want to go for, but if you really want to be original, there's no real recipe for that. For me it's just about letting it come to you... if you can let your head clear out, then almost anything is available.
Music has its own internal logic. It is like the logic of a dream, clear in its own terms but not necessarily in everyday terms. Sometimes it expresses something you can describe in words, but not always.
What this is about is hopefully an opportunity for me to help pave the way for my future in terms of getting financially choosier. You have to plan the windfall as if it'll be your only one.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
The whole European Federal plan is ridiculous. We are patriotic. The single currency is an outrage. We want the Queen's head - or the King's head, if we have a king - on our own coins.
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