A Quote by Nobuo Uematsu
However, very recently I have come to an understanding that complex music is not necessarily pleasant.
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As humans, no matter our level of understanding, we are very complex beings with very complex thoughts. There are ideas that each of us have within our heads that are so different from each other it is mind boggling.
Because for me, '60s pop music is amongst the most complicated or complex music because it has so many resonances which strike you. The music itself is often simple, but the way that I interpret it, or the way I think it's interpreted culturally, is very complex.
I don't necessarily do anything just for the money. I do it for the passion and I do it for the love, because I'm still hungry. So if I want to do music, it's not necessarily motivated because of monetary value. It's more about the passion and the love, and I think that's where music should come from, the heart, not necessarily just to cash a check.
Classical music is a genre of music. It's no more complex or less complex than pop music or R&B. The elitism is weird.
Filmmaking is a very complex form - ya know, acting, lighting, screenwriting, storytelling, music, editing - all these things have to come together.
We all have to let go of the Prince Charming complex and realize he doesn't necessarily exist in the package we assume he'll come in.
However, for my characters to have depth, they have to be human and complex, have both qualities and flaws, do the right things at times, and at others, things they'll regret having done and not necessarily know how to undo.
Chess is far too complex to be definitively solved with any technology we can conceive of today. However, our looked-down-upon cousin, checkers, or draughts, suffered this fate quite recently thanks to the work of Jonathan Schaeffer at the University of Alberta and his unbeatable program Chinook.
I've been extremely lucky to work with Elmer Bernstein, Howard Shore over the years, but I've always imagined films with my own scores, because I don't come from that world or that period of filmmaking. And so how could I make up my own score on a film like this where it isn't necessarily made up of popular music from the radio or the period; it isn't necessarily classical music. But what if it's modern symphonic music?
Mathematicians grow very old; it is a healthy profession. The reason you live long is that you have pleasant thoughts. Math and physics are very pleasant things to do.
More women have come out of the changing rooms slagging off their knees than any other body part. I recently developed a complex about my own knees, so I totally get it.
I see nothing easy in Washington. I see either analytically simple things that are politically complex or those that are politically complex and analytically complex. I mean, look at immigration reform, you know? It is, I think, analytically easy, but politically very, very complex and very difficult.
If anything, I feel that the current generation of listeners of heavy music are progressing a bit passed their gateway bands and are digging deeper than they used to and understanding more abrasive and complex music and art. It's like being around an unfamiliar language long enough that it eventually begins to make sense.
I'd like to see education play a larger role in our daily lives, have people come to a larger understanding - a "bigger picture" understanding - of how we fit into the world, and how we fit into the universe. Not necessarily thinking of ourselves, but thinking of others.
Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.
It isn't until you come to a spiritual understanding of who you are - not necessarily a religious feeling, but deep down, the spirit within - that you can begin to take control.
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