A Quote by Noel Fielding
I think I should be in a film called 'Space Shrews'. Where I go to space. With a load of shrews. And nothing really happens. We just get out and have a lolly and then come back. But it'll be a musical the ship will be built out of my own hair.
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For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
I think I set myself on a course to become a scientist around about the time that Carl Sagan's 'Cosmos' series was on television, and there really was no going back for me at that point, and then I went on to study space science and then get my Ph.D., then go aboard and work in the European Space Agency.
I'm writing all the time, really. It's become a little bit of a problem when I go home. Sometimes I should really go out and hang out with my friends, but what happens is I get really inspired and then just go and mess around on the computer.
Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.
I do feel that a poem needs not just space, but, ideally, space around that space - space for meditation, reverie, subliminal link-ups. I sense that poetry happens at a level above or below intelligence. It doesn't come into being at a purely rational level.
I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!
We've got to go back to the space station and back to the moon and Mars and beyond, because there is a lot of space out there and we know so little about it.
Art and power will go on as they have done,--will make day out of night, time out of space, and space out of time.
There are millions of people out there who would love to become astronauts, who'd love to go to space - they'd love to look back at this wonderful world from space. That will be the engine that will enable us then to develop spaceships to transport people around the world at tremendous speeds in an environmentally friendly way.
I couldn't get my first film on the air. The first film I did was called 'The Race For Space,' about the U.S.-Soviet space race. The networks had a policy that I found out about the hard way. I even had a sponsor for my program, but the networks wouldn't put it on because it was independently produced.
Every major press organization works out of its own little space in the White House. Picture a mini cruise-ship cabin, or a row of four seats on an airplane: that's about all the space we have. You spend hundreds of hours inches away from your colleagues.
I would die to record in space. That would be the coolest. If I got the option of, going into outer space and hanging out there for a day, and then coming back home and dying the next day, or just waiting around to see if there's any opportunity for the technology to develop so that I might experience outer space sometime in the future, I would probably take the ride today and die tomorrow. I'd be happy just hanging out between the moon and the Earth, getting a view.
If we're not able to launch our own people and operate our own spacecraft anymore then, you know, space - whether it should be or not, it's seen as like a harbinger of technology. If you can fly people into space, if you can operate into space, then you've got high technology and if you're the leader of that, then you're the leader in technology. If we lose that on a more or less permanent basis, or for a long period of time, my fear is that it will creep into the national psyche in all areas and we as a nation as a whole will kind of be diminished.
I think good creative writing opens up space for people to come into. Let God reach out and touch the human soul. That's not my job. I get to be present and create as much space as I can ... That frees me up just to be creative in the way I want to be.
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