A Quote by Noel Fielding

I love the Marx Brothers. — © Noel Fielding
I love the Marx Brothers.
Somehow I got a hold of an address for Vonnegut shortly after making the Marx Brothers film. Vonnegut wrote back, saying that he had seen the Marx brothers film and loved it. That became the foundation of our friendship: old movies and comedies.
My parents loved comedies, so we saw Buster Keaton, Charlie Chaplin, the Ritz Brothers, and the Marx Brothers. I wanted to be one of them.
I'd always heard stories about how Harpo Marx was the most talkative of the Marx brothers. I found it interesting that someone you never got to hear speak in films would never not speak in real life.
Mel Brooks and David Zucker - there are very few people who know silly, and they're usually hugely intelligent, because you have to be intelligent to get it. Like the Marx brothers. I love it.
The Marx Brothers isn't subtle, and that's hilarious.
My Dad hated his job. He sold overcoats, but he wanted to make movies. He had a failed career working with the Ritz Brothers - they were like the Marx Brothers, only a tier below. I always had a picture in my mind of him in a straw hat.
I grew up and I was weaned on the Marx Brothers. They were sort of my all-time favorite. My parents showed me their movies when I was very young. And as I got older, I became a Charlie Chaplin fan, and I love Buster Keaton.
I've always loved the Marx brothers and Charlie Chaplin.
I grew up on Jerry Lewis and Abbot and Costello, the Marx Brothers.
A crackpot theory. Instead of saying labor's exploited, as Marx did, Kelso says capital's exploited. It's worse than Marx. It's Marx stood on its head.
I've got to say, I've probably seen a lot more of the Three Stooges than of the Marx Brothers.
Growing up, I loved drama and fantasies. I hated the Marx Brothers. I took all that confusion seriously.
Who made me laugh when I was growing was Chaplin and the Marx Brothers, and then moving on, there were so many that I was a writer for for many years: I was a writer for the Smothers Brothers, Lily Tomlin, then I started on 'Saturday Night Live' as the head writer the first year we started it.
What really got my goat at MGM were comedians like The Marx Brothers who never wrote their own jokes.
I saw 'A Night at the Opera,' this Marx Brothers film, when I was, like, six years old. I just became obsessed, you know?
Einstein pronounced the doom of continuous or 'rational' space, and the way was made clear for Picasso and the Marx Brothers and Mad magazine.
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