A Quote by Noel Gallagher

I don't like John Terry and I never have. He's got funny eyes and he's a cry baby. He's also a Cockney. — © Noel Gallagher
I don't like John Terry and I never have. He's got funny eyes and he's a cry baby. He's also a Cockney.
Cry Baby wasn't necessarily a baby theme but I understand what they're saying. So like, Cry Baby is definitely a remaining character throughout all of my albums.
Storm the castle Stem the tide Rise above yourself Cry baby cry Cry cry to heaven If that doesn't do it for you Go ahead and cry like hell
I was always called a cry baby, and I was one. I cried a lot as a child. In fact, I still cry a few times a day. I'm still a cry baby.
Babies cry, make noise, go here and there. But it annoys me when a baby cries in church and there are those who say he needs to go out. The cry of a baby is God's voice: never drive them away from the church!
That's what's interesting about people. It can be funny, but when [John] Travolta got there and did [comic moments] you're like, "Oh! This is really funny." Or when Karen [Gillan] and Taissa [Farmiga] do something, I'm like, "This came out so much funnier."
Ignoring a baby's cry is like using earplugs to stop the distressing noise of a smoke detector. The sound of a smoke detector is meant to alert us to a serious matter that requires a response - and so is the cry of a baby.
The Cry Baby character is so, like, based off of myself that it just really is just from personal experience. And when I was younger I was called a cry baby and made fun of for being super emotional and taking things way to personal.
Race, for me, should be social and cultural, rather than the colour of your skin. Anton Ferdinand would have more in common with John Terry than he does with some West African from Nigeria. John Terry will have more in common with Anton Ferdinand than a Slav from Eastern Europe who happens to be white.
One way to make a baby cry is to expose it to cries of other babies. There's sort of contagiousness to the crying. It's not just crying. We also know that if a baby sees another human in silent pain, it will distress the baby. It seems part of our very nature is to suffer at the suffering of others.
What we want most is to be held...and told..that everything (everything is a funny thing, is baby milk and papa's eyes, is roaring logs on a cold morning, is hoot owls and the boy who makes you cry after school, is mama's long hair, is being afraid and twisted faces on the bedroom wall)...is going to be alright.
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
Everyone in football knows what John Terry's like off the field
My chest got this weird feeling, like when you stare into the eyes of a little baby and the baby looks back up at you and you can feel how pure and innocent it is, so much that it makes your stomach feel empty - probably 'cause you realize you used to be pure like that, too, and now you're not.
I'm insane, I'm emotional, but I'd rather be that than a robot. So that's definitely something that I wanted to get out there. Especially with Cry Baby's story, because the album is about Cry Baby but I realized that me and her went through the same change.
I would never try to fill John Terry's boots. You can never fill that position.
I got to work with Eli Vargas. Great guy. Huge in Spain. He's a heartthrob there. Who else? Terry Crews - he was really funny.
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