A Quote by Noel Gallagher

I don't like being on television when I'm playing live. I don't even like being on Jools Holland or any of them programs. — © Noel Gallagher
I don't like being on television when I'm playing live. I don't even like being on Jools Holland or any of them programs.
I'd love to be the new Jools Holland, but you know, for, like, cooler people.
I only like the live audience. I don't even like to do standup where it's being filmed. Because it affects the way the audience responds to what you say, because it makes them uncomfortable. You have to perform in a light room, and I prefer a dark room. But I love to perform, and I don't really see myself doing any television at all.
We had a band called the Grainers. In our 12-year-old minds, this was like a double entendre for like being annoying and being a delicious donut. I got kicked out of the band for playing bass incorrectly. Like, I was playing it like a guitar. I was just so like twee and British, even as like the little 12-year-old boy.
Our many Jewish friends and acquaintances are being taken away in droves. The Gestapo is treating them very roughly and transporting them in cattle cars to Westerbork, the big camp in Drenthe to which they're sending all the Jews....If it's that bad in Holland, what must it be like in those faraway and uncivilized places where the Germans are sending them? We assume that most of them are being murdered. The English radio says they're being gassed.
There's this great TV show we have called 'Later... with Jools Holland', a live-music show on Friday nights. Anyone and everyone's been on it.
I appeared three times with Jools Holland on 'The Tube.'
Most of the time I don't even talk about any direct lineage of songs, because I feel like it just chains them down into my own consciousness, and the whole fun of them is being able to live in others' consciousness.
There is some stuff on television that is shocking that it's on there, and shocking that it's not being censored. We run to that with torches and pitchforks and go after it. On Flavor Of Love, when a woman took a dump on the stairs, I mean, that's like J.R. being shot on Dallas, or like maybe the last episode of M*A*S*H. It's a milestone on television that's covered with chlamydia.
I am semi-ambivalent about being on camera - sort of low-key. I don't like being on camera stuff that much. I like radio and live performing stuff. I don't like the television stuff as much. Some people do. It takes a certain breed of cat. There is a ton of pressure and you need to read cue cards. I am not a good cue card reader. Being a poor reader was enough to make me not want to do that type of formatted show.
I have quite a bit of experience reporting on corporate behavior, both doing it with independent operations in early in my career, in the underground press, to magazines like 'Rolling Stone,' to regional newspapers and television, and television news programs, to papers like the 'New York Times' and public television.
Some celebrities, it's interesting, because they're fantastic playing a character when somebody is writing the lines for them, and they're amazing actors, but they're not as comfortable on television in front of a live audience and just having a conversation and being themselves.
I did Jools Holland, which was bonkers because it's an institution, and as a family, we've all been into it our whole lives, and then I did Hootenanny. I took my mum and dad along, and they were sat there next to Gregory Porter and Chaka Khan. My dad was just laughing, like he couldn't believe it was real.
Much of my work has come from being lazy. I didn't like writing programs, and so, when I was working on the IBM 701 (an early computer), writing programs for computing missile trajectories, I started work on a programming system to make it easier to write programs.
...you'll find that being a friend is to like a person for who they are, even the parts you don't understand. You don't have to understand, or do the same, or live their lives for them. If you truly care for them, then you want them to be who they are; that was why you liked them in the first place.
Back in the fifties I was the hot, young comic on CBS and a regular on 'The Ed Sullivan Show.' I was also starring in shows on Broadway and acting in dramatic programs on television. Those were the glory days of television. It was like theater. It was live. If an actor forgot a line, he improvised. There was an immediacy to it.
I like entertaining people. I like being on stage. I like being in the life. This is what I do. This is the only thing I know how to do besides rob people and fight. Even when I was robbing people, I was entertaining them. But that's just what I love doing.
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