A Quote by Noel Gallagher

I'm used to people being a mile away. That suits me. It's more nerve-wracking playing in front of people who are two feet away from me. — © Noel Gallagher
I'm used to people being a mile away. That suits me. It's more nerve-wracking playing in front of people who are two feet away from me.
If you've got a camera that's two feet away from you, you have to bring it all back down. It's a lot more insular. It's different brush strokes. Whereas on stage, you're playing to people who, depending on the size of the theater, might be 40 meters away from you.
It's definitely more nerve-wracking being in front of the cameras, although I'm trying to get better at it.
I'm used to being in front of camera and knowing what to think. But if you're asking me to be me, I get very self-conscious. My job isn't to be me. Being an actor, people think you can do a eulogy at a funeral, a speech at a wedding. I find all that very nerve-racking.
It's always so nerve-wracking being up there on stage. It's even harder playing in your hometown - and I have a couple of home towns - but, you're playing for all the people you knew in high school, so it causes no small degree of panic in my mind.
It's nerve-wracking singing in front of people. I think that's why most people get drunk for karaoke.
It was a nerve-wracking first few years having to tour and perform in front of people with the little bit of confidence I had.
Hmmmm... It's fun being in front of people, playing shows and all. But hotels? Being away from home? That's different.
It's nerve wracking being in the stadium with so many people supporting.
I used to say I live my life a quarter mile at a time and I think that's why we were brothers- because you did, too. No matter where you are, whether it's a quarter mile away or half way across the world. The most important thing in life, will always be the people in this room. Salute mi familia. You'll always be with me... And you'll always be my brother.
Animals used to provide a lowlife way to kill and get away with it, as they do still, but, more intriguingly, for some people they are an aperture through which wounds drain. The scapegoat of olden times, driven off for the bystanders sins, has become a tender thing, a running injury. There, running away is me: hurt it and you are hurting me.
Oh Beloved, take me. Liberate my soul. Fill me with your love and release me from the two worlds. If I set my heart on anything but you let fire burn me from inside. Oh Beloved, take away what I want. Take away what I do. Take away what I need. Take away everything that takes me from you.
Playing regular first-team football is a massive carrot as I have been in the reserves for two or three years. I'm used to playing in front of two or three hundred people and now I could be running out in front of 40,000 or 50,000.
Come away with in the night Come away with me And I will sing you a song Come away with me on a bus Come away where they can't tempt us With there lies I want to walk with you On a cloudy day In fields where the yellow grass grows Knee-high So won't you try to come Come away with me and we'll kiss On a mountain top Come away with me And I'll never stop loving you And I want to wake up with the rain Falling on a tin roof While I'm safe there in your arms So all I ask is for you To come away with me in the night Come away with me.
It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd.
I can't play the guitar, so the thoughts of playing one onstage at a festival makes me quiver, but I've been blabbering away in front of people since I was a child, so talking for a living isn't the most daunting thing to do.
Working with new people can be really hard and nerve-wracking. When you don't know the person, it's like being on a blind date.
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