A Quote by Noel Redding
We had no sleep or days off or anything like that and then, when the band became big, Hendrix became a star and looked down at us lot.
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We became a band that was kind of a big band, kind of a band that quite uncool people listen to, people a lot like me. I've realized that's a much more beautiful fate than the plan I had.
We became friends as we became a band. Our friendship evolved as the band evolved. It had its ups and downs, but it was mostly ups for the four of us. We got along well almost all of the time. Hey! We liked each other and we still do.
We'd started out as a garage band and it became like a huge band, which was fine. But everything was so magnified, drug addictions, personalities, it just became too much.
When we got quite big and were generating a lot of money through the arenas, we became quite a big thing, and a lot of managers appeared, and it became a big machine, like we were in Pink Floyd or something, and I don't think we were into that. We didn't really compromise.
In the olden days, a memoir was something written by Churchill and people like that, because they had a grand experience and considered it useful for future generations. And then it became what it became - a public purging in which other people have the chance to judge you and then forgive you, perhaps learning something from your sorry example.
This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.
Since I was seventeen I thought I might be a star. I'd think about all my heroes, Charlie Parker, Jimi Hendrix... I had a romantic feeling about how these people became famous.
It ["Begin the Beguine"] became such a hit that it superseded anything that any band had ever had. It was the first time that a so-called swing band played something melodic and still gave it a beat.
I became so desperate that I considered throwing Eric [Beck] off the ledge. I thought I could get down and then lie about what had happened. To my addled brain, this was plausible. Then I came to my senses and woke Eric up and told him that either he had to retreat or I'd throw him off. We went down and I never climbed again for a quarter of a century.
Well, let's see: I started [in music] at nine and quit. Then got back to it when I was twelve. Then I became a party star. In fact, I became a party!
Chopper asked to be in our band back in 1999 (we already had chosen somebody else who ended up annoying us) and then we kept running into and hanging out with him at concerts and car shows. We became friends. He shares the same passions as we do and every time we ran into him he looked like he was ready to step on stage with the Cramps. He was in Mr. Badwrench and before that he was in the Maus Maus when he was a teenager.
I remembered, like, when 'Not When My Daughter' came out, I'm serious, I think dating for Iranian men became a lot harder. Dude's name, Shahrokh - became Tony. Mehsud became Mike.
The star [Tycho's supernova] was at first like Venus and Jupiter, giving pleasing effects; but as it then became like Mars, there will next come a period of wars, seditions, captivity and death of princes, and destruction of cities, together with dryness and fiery meteors in the air, pestilence, and venomous snakes. Lastly, the star became like Saturn, and there will finally come a time of want, death, imprisonment and all sorts of sad things.
A lot of populists after populism died just became socialists. At the beginning of the 20th century, socialism looked like it was going to take off. It didn't, of course, but a lot of people thought it was going to.
In 1974, when I started working with the material that became 'Horses,' a lot of our great voices had died. We'd lost Jimi Hendrix and Jim Morrison and Janis Joplin, and people like Robert Kennedy, Martin Luther King and Malcolm X.
In 1974, when I started working with the material that became Horses, a lot of our great voices had died. We'd lost Jimi Hendrix and Jim Morrison and Janis Joplin, and people like Robert Kennedy, Martin Luther King and Malcolm X.
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