A Quote by Noel Redding

But people are now realising why I was playing bass with Hendrix. — © Noel Redding
But people are now realising why I was playing bass with Hendrix.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
I started out playing guitar because Jimi Hendrix was my hero, so my roots were really based on Jimi Hendrix and his style of playing.
When you listen to a symphony orchestra, and the basses don't - there's no bass part, there's not that much depth. That's why I'm attracted to the instrument, the bass. It brings depth. It's like playing in a rainforest.
He was Jimi Hendrix! He didn't sound like anybody else but himself. He was like Charlie Parker in his way of playing, he played well, he was a person that made waves. When you heard Jimi Hendrix you knew it was Jimi Hendrix, he introduced himself in his instrument... You know, many radio stations play records and a lot of the times they don't call out the names who you just listened to, but when they play Jimi Hendrix, you don't have to tell me, [you know] it's Jimi Hendrix.
I hate playing the bass, bro. I've been playing the bass because it's there and I don't want anyone else to play it.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
I was playing bass when I was a kid; I play bass now. I used to draw pictures when I was a kid, and I draw pictures now. I talked backwards and weird when I was a kid, and I talk backwards now.
I was a bass guitarist first before I started playing double bass - and I only started playing it because my teacher said I'd get twice as much work, as there's not enough players out there.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
I just think that playing bass, like punk rock bass with a pick, wasn't meant to be done for 25 years.
I've always been playing with other people, and that's how I learned. I got a kit of drums I couldn't play, but I also knew a guitarist and a friend of mine played bass and could teach us bass, and we just played. And I learned.
Around age 11 or 12, I started playing jazz bass. From there, I went to electric bass and then guitar, which I kept up for a long time.
A lot of other bass players have told me I'm the only bass player who plays with a pick but sounds like he's playing with the thumb and fingers, which is a great compliment.
The bass and drums are the engine, and the key to good bass playing is it's not what you play, it's what you DON'T play that counts. You leave the spaces, they're more important than anything.
When I started playing the bass, I became kind of fascinated by it and started investigating various styles of bass playing, and I was really struck with funk music, mainly American funk music - Stanley Clarke, Funkadelic and that kind of stuff. That comes out in a couple of songs like 'Barbarism Begins at Home.'
You have to understand that the bass guitar is the party instrument. It only has four strings. If you see a bass player playing five strings, take your shoe off and throw it at him.
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