A Quote by Noel Wells

I remember, when I was a little kid playing with the 25 Legos I had, I thought, 'If I just had a camera, I could film different setups and make it look like I have way more Legos and tell a story.' I didn't get a camera, though, until I basically got an iPhone.
I think LEGOs are one of the best toys ever developed. While LEGOs are sold in kits in order to build specific things, there [are] very few people who leave their LEGOs in those kits. It very rapidly becomes an open system where you can build whatever you want. That's the one thing that signifies my entire life and my career. I learned at an early age that I could make the things that I wanted. That's a very powerful thing to realize as a kid. LEGOs were a key part of that.
I was never much into knights and sorcery and that kind of thing. It's not because I was into anything cooler. I certainly wasn't. I played with LEGOs. I played with LEGOs way past when most people played with LEGOs.
Yeah, I played with LEGOs. We had LEGOs, Lincoln Logs, and Playmobil, and they all occupied the same space. I guess that's fairly common. I'm saying this as if it's a bizarre phenomenon that we had a toy chest.
Camera companies, like traditional phone manufacturers, dismissed the iPhone as a toy when it launched in 2007. Nokia thought that the iPhone used inferior technology; the camera makers thought that it took lousy pictures. Neither thought that they had anything to worry about.
My sons and I thoroughly enjoy Legos. We go to the toy store every week for more. I never want to take what we build apart; I want to put it on a shelf. My wife is starting to get a little annoyed with the Legos lying around.
What happened to the alpha-wolf?" "LEGOs." "Legos?" It sounded Greek but I couldn't recall anything mythological with that name. Wasn't it an island? "He was carrying a load of laundry into the basement and tripped on the old set of LEGOs his kids left on the stairs. Broke two ribs and an ankle.
I always have traveled with a camera throughout my life, but I always had my old 35mm film camera. When I was training to go into space, the only equipment there was a digital camera. I went through a fast-track class on Earth. It actually was fun, though I'm basically a dinosaur with computers.
Everywhere we walked we got plenty of attention due to the camera and sound men. The locals love to get on camera. [...] I'd seen footage of Gandhi surrounded like this and always thought it was because he was very popular, but now I wonder if it was just because he had a camera crew with him.
Thank you... Apple, for adding a camera to the iPod Nano. Now it's just like the iPhone except it can't make calls. So basically, it's just like the iPhone.
I have a great little camera, and I had a theory that if the story is interesting, it doesn't matter what medium you shoot it on. You just have to make a good film.
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
Multi-camera's fun because you have the immediacy of the audience and just being able to tell the story more or less straight through. The thing I like about single-camera is that you have the luxury of shooting a lot of different options.
The simple act of having a camera, not a cell phone, but a camera-camera, there’s a kind of a heightened perceptional awareness that occurs. Like, I could walk from here to the highway in two minutes, but if I had a camera, that walk could take me two hours.
In drama, you're interacting with other actors to tell the story. The camera is like the theater: it's the artistic fourth wall. In a screen play, you don't look at the camera and communicate with it. But with hosting, you're looking right into the lens and talking to the people. It is a different style, and it's fascinating.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
Every collaboration with a new person is like when you take a bin of Legos and dump them on the floor. All of the pieces to work with are right there. A floor full of Legos is full of possibilities.
This site uses cookies to ensure you get the best experience. More info...
Got it!