A Quote by Noelle Stevenson

I think comics has this rap of being misogynistic, and that's certainly not untrue. — © Noelle Stevenson
I think comics has this rap of being misogynistic, and that's certainly not untrue.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
I definitely think, generally, rap is misogynistic.
It's like being a stand-up comedian is what leads to being a talk-show host. That life is not cut out for a woman, being on the road at these disgusting hotels. What girls want to do that? Gross guys want to do that. I think that the dearth in female comics is just the nature of the business, but there certainly isn't a dearth anymore, so I think it's just silly.
Storytelling is one of comics' esthetic hurdles at the moment, which was the novelist's problem 150 years ago: namely, to take comics from storytelling into that of "writing," the major distinction between the two to me being that the former gives one the facts, but the latter tries to recreate the sensation and complexities of life within the fluidity of consciousness and experience. As far as I'm concerned, that's really all I've been trying to do formally for the past decade or more with comics, and it's certainly time-consuming, since it has to be done with drawings, not words.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
People think I have an interest in comics, but I'm only interested in comics from the '40s, like 'Donald Duck' comics.
I think, a lot of times, the mistake in music - even rappers that are trying to be big time - if you're broke, rap about being broke. If you're sensitive, rap about being sensitive, 'cause there are other sensitive people. If you're sensitive, but you talk about being a tough person that doesn't care about anything, people will call your bluff.
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
Emotions can certainly be misleading: they can fool you into believing stuff that is definitely, demonstrably untrue.
The big stars in rap, they were too big, so when my rap generation started, it was about bringing you inside my apartment. It wasn't about being a rap star; it was about anything other than.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
I think it's just sad in this industry that sometimes the pressures of being successful make you say things that are untrue.
I've loved comics since I was a kid, collected them, I've always dreamed of being involved in comics.
I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.
It's not misogynistic to criticize a legendary female pop singer; it's misogynistic to think a legendary female pop singer can't handle it.
I don't think comics necessarily think in literary terms. There is an element of developing your stage persona and your comedic voice, but I don't think comics see it like a character in a novel.
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