A Quote by Noelle Stevenson

I do more research about 'Lumberjanes' than I did for a story of medieval knights. — © Noelle Stevenson
I do more research about 'Lumberjanes' than I did for a story of medieval knights.
All of that is true,’ responded Don Quixote, ‘but we cannot all be friars, and God brings His children to heaven by many paths: chivalry is a religion, and there are sainted knights in Glory.’ Yes,’ responded Sancho, ‘but I’ve heard that there are more friars in heaven than knights errant.’ That is true,’ responded Don Quixote, ‘because the number of religious is greater than the number of knights.’ There are many who are errant,’ said Sancho. Many,’ responded Don Quixote, ‘but few who deserve to be called knights.
When I moved to Wales more than twenty years ago and began to research 'Here Be Dragons,' I was fascinated from the first by the Welsh medieval laws, by the discovery that women enjoyed a greater status in Wales than elsewhere in Europe.
It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.
And much more am I sorrier for my good knights' loss than for the loss of my fair queen; for queens I might have enough, but such a fellowship of good knights shall never be together in no company.
IBM isn't investing billions of dollars every year into research and development - and winning more patents than our top 10 competitors combined for more than a decade - as an academic exercise. But research is now being driven much more by what people need rather than just by what is possible.
Does research get in the way of the story? It certainly can. Anything can, given that as writers we're all geniuses at procrastination. But mostly research teaches me about the world. Which often shows me the way, in terms of the story.
Writing is incidental to my primary objective, which is spinning a good yarn. I view myself as a storyteller more than a writer. The story - and hence the extensive research that goes into each one of my books - is much more important than the words that I use to narrate it.
My parents took me to a movie, and I remember wanting to sit apart from them for some reason. I wanted to be a big boy or whatever. I remember looking up on that screen. It was a movie about medieval knights. All I remember is saying, 'I want to do that. I want to make movies.'
Job found contentment and even joy, outside the context of comfort, health or stability. He understood the story was not about him, and he cared more about the story then he did about himself.
True knights protect the weak.” He snorted. “There are no true knights, no more than there are gods. If you can’t protect yourself, die and get out of the way of those who can. Sharp steel and strong arms rule this world, don’t ever believe any different.” Sansa backed away from him. “You’re awful.” “I’m honest. It’s the world that’s awful.
The tabloid that said that I dressed up as a medieval, like a sexy medieval something and that upset me more than the dating rumors that have been circling around that were fake. If somebody thinks I'm going to dress sexy to a costume party, they have another thing coming.
What's nice about experiments is that they are much more closely tied to what theorists think about the world than normal empirical research. You can design your experiment to exactly ask the question you want to ask. This is not true about normal empirical research.
Literature more often tells the story of impulses we don't act on than of ones we do. I could joke about the Cain and Abel story with my brother without expecting him to be worried, though it's always possible he was more anxious than he let on.
It usually takes me about three years to research and write one of my historical sagas; this is one reason why I take medieval mystery breaks, for they can be completed in only a year.
If you're interested in something, do some more research and don't be afraid to ask questions. At the very worst you're going to know more than you did at the start of the day.
It was fantastic to be able to have my kids on set. Dash, my eldest son, who’s not quite five, was into knights and his godmother had given him a plastic Marks & Spencer knights’ outfit and [first assistant director] Tommy Gormley said that he could stand to protect me during the scene where Clive [Owen] is talking about the immensity of sitting on the throne. I’m actually looking through an archway at my son standing in his knights’ costume protecting me!
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