A Quote by Noelle Stevenson
I've always liked shape-shifter characters. I gravitated towards characters like Mystique from 'X-Men,' Zam Wesell from 'Star Wars,' and Tonks from 'Harry Potter.'
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I love really epic films. I really like 'The Princess Bride,' 'Lord of the Rings.' I really like 'Star Wars.' I love 'Harry Potter.' I'm obsessed with 'Harry Potter.'
Whenever I do a play, there are 'Star Wars' fans at the stage door, and they're always lovely - so excited and so effusive about the storylines and the characters. When you're doing something really serious, and the 'Star Wars' fans are waiting outside, it's a nice juxtaposition.
As a teacher, I've never seen anything like 'Harry Potter.' That's why I smart when people talk about the 'next' 'Harry Potter.' There is no 'next' 'Harry Potter.'
If there is a connection between Harry Potter and my new novel, it's my interest in characters.
And the parents who knew "Star Wars" could take kids and feel like they've gone back to a place that is familiar and yet found brand-new characters that took them somewhere they'd never been. And it was important me that we embrace that feeling, and you can call it retro, but I think it's what "Star Wars" is.
I'm a big fan of 'Star Wars.' Some of the most iconic characters of 'Star Wars,' we didn't see their faces but to this day you can say Jabba the Hutt or Darth Vader and people know what you mean around the world.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
But things such as 'Harry Potter', all I can do is shape my character, seek the director's approval on that, and basically take it from there. Professor Flitwick in 'Harry Potter', I kind of defined how I saw him from reading the book, and luckily that matched up with the director's vision.
It was a different job in that, because it's a 'Star Wars' movie and I'm a droid in a 'Star Wars' movie, people have a reverence for those characters that have come before me.
I admire the world of the books and the characters that she's created, but I'm not an addict of Harry Potter. I don't feel possessive about it.
I think it's always wise to be concerned about any of the characters in 'Star Wars,' right?
And it's only the beginning of a new era of exceptional Star Wars storytelling; next year we'll release our first standalone movie based on these characters, followed by Star Wars: Episode VIII in 2017, and we'll finish this trilogy with Episode IX in 2019.
If I could just get Broom to cooperate, we could fly, Glo said. Then we wouldn't have to worry about traffic. Harry Potter didn't have to worry about traffic. You relize Harry Potter isn't real, right? Of course, but he could be. I mean, maybe not Harry Potter, but someone like him. Who's to say?
I have three daughters who grew up while I was working on the special editions and the prequels. They got to be big 'Star Wars' fans. And, you know, I would see them identifying with a lot of the male characters, and I just thought, 'Star Wars' could use more good strong female leads.'
In creating the Harry Potter artwork, I try to bring a certain amount of realism and believability to the characters and setting, but still add an element of wonder and the unknown.
Because of streaming, serialized television has become less of a dirty word when you're pitching shows. I had to fight for that for so long as someone who's always gravitated towards ongoing story lines with characters that evolved and changed and storylines that continued over longer arcs.
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