A Quote by Noelle Stevenson
I know that when I was a kid, and I was reading whatever I could get my hands on, I didn't associate myself with the girl characters.
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As a kid, I remember taking apart whatever I could get my hands on.
Every time I read anything, whether it be a book, a script, or anything, I automatically imagine myself as the boy in the plot. I don't know why. Seriously, anything. If I'm reading a magazine article or whatever, I picture myself as the kid people are talking about. It's really weird. I don't know why I do that.
I don't have a formula. Every time an actor wants me to hold their hand, I hold their hand. If they say, "Stay," I say "Okay, respect." You know? "I'm right over here." A kid, if I need to give a line-reading, I'll start acting out the part for the kid and just mimic the kid. You know? Whatever it takes.
But if I have a lot of imagination, I could tell myself whatever I wanted, you know. I handle myself quite well. I'm kind of fascist with myself, you know. There's no discussion. There is an order. You follow it.
Multiple characters' opinions on societal roles, as well as their perceptions of themselves and others, help me lose myself in whatever strange and wonderful setting I'm reading about.
Algebra looked like Chinese characters to me, and I could never get into reading Shakespeare. I just did not get it.
I'm proud of myself. I could break and go get all this plastic surgery and get my nose fixed and get lipo or do whatever, but I haven't chosen to do that because I know I'm a great person. I'm pretty damn hot, if you ask me.
A kid of your age---any kid---could get hold of matches if she wanted to, burn up the house or whatever. But not many do. Why would they want to?
When I get hired as an actor as opposed to a writer, one of things that's exciting for me is doing stuff I wouldn't normally do myself. So whether it's a kid's movie or a voice in animation or in this case - where I just get to be silly, it's a different kind of comedy for me. As a performer, it's a different pleasure than when you're writing or directing. As a performer, you're just in the hands of the director and you go with whatever they want to do.
I'm always conscious of the fact that a book starts, basically, with a kid in a lap, and a parent reading to them. If I'm not at least understanding that the parent's got to be there, and the kid's got to be there, together, then I don't feel like I'm doing my job. I hope that the language or the dialogue or the way characters interact entertains parents - when I'm playing with my own kids, I'm entertaining myself too, as well as them.
I was, as a kid, really obsessed with reading... that was about as geeky as you could possibly get.
I started reading. I read everything I could get my hands on...By the time I was thirteen I had read myself out of Harlem. I had read every book in two libraries and had a card for the Forty-Second Street branch.
With a pilot, there's a lot of information that gets packed into 46 minutes or whatever it is. Usually what happens is that, throughout the season, you get to spend a little more quality time with the characters and get to know them a bit better, whether it's based on circumstance or relationships they've created with other characters.
I could do whatever I wanted as a girl, whatever my brother did. I could play against the boys and achieve whatever they did.
A lot of drive is innate, self-perpetuated, reinforced energy. As a kid, I could always sell anything I could get my hands on - from newspapers to lemonade to 'TV Guide.' I knew how to make a presentation.
A lot of drive is innate, self-perpetuated, reinforced energy. As a kid, I could always sell anything I could get my hands on - from newspapers to lemonade to TV Guide. I knew how to make a presentation.
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