A Quote by Nolan Bushnell
When I was running Atari, violence against humanoid figures was not allowed. We'd let you shoot at a tank... but we drew the line at shooting at people, with blood splattering everywhere.
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Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
I can't relate to the people who shoot wolves. I'm guessing the person who shot Wolf 06 wouldn't relate much to me either. You let people go out and shoot hundreds of wolves and watch violent movies, and then you're surprised when they go on a rampage shooting other humans. You can't separate violence like that.
Even more blood welled up and spilled down his arm, splattering onto the ground. “Camille’s carpet,” Magnus protested. “It’s blood,” said Will. “She ought to be thrilled.
Japanese people wouldn't come up with ideas of blood splattering all over. Japanese focus more on the intricacies of the actions, the motion.
...there was another, gorier parturition, when two nations incarnated out of one. A foreigner drew a magic line on a map and called it the new border; it became a river of blood upon the earth. And the orchards, fields, factories, businesses, all on the wrong side of that line, vanished with a wave of the pale conjuror's wand.
I must remind you that starving a child is violence. Suppressing a culture is violence. Neglecting school children is violence. Punishing a mother and her family is violence. Discrimination against a working man is violence. Ghetto housing is violence. Ignoring medical need is violence. Contempt for poverty is violence.
We would just go out and line up a bunch of cans and shoot with rifles, handguns and at times, submachine guns... When I was a kid it was a controlled atmosphere, we weren't shooting at humans... we were shooting at cans and bottles mostly. I will most certainly take my kids out for target practice.
'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!
I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
No one may threaten or commit violence ('aggress') against another man's person or property. Violence may be employed only against the man who commits such violence; that is, only defensively against the aggressive violence of another. In short, no violence may be employed against a non-aggressor. Here is the fundamental rule from which can be deduced the entire corpus of libertarian theory.
I was shooting at myself - I was shooting my own violence and the violence of the times
I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
That line, about half of somebody's supporters being deplorables, was maybe the worst line I've ever heard in politics. You never - even when you're running against a bunch of racists, you never take off against the voters. It was a politics 101 foible.
If you see the blood, then there's an easy association of the violence. The violence that happens when there isn't blood is actually much more subversive and unsettling.
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