I cant think of anything more humiliating than losing a ballgame to a guy who steals home on you. It happened to me one time against Kansas City. I had a 2-2 count on the hitter - and Amos Otis broke from third. The pitch was a ball and slid in safe. I felt like a nickel.
Like the guy I was dating. White, liberal, educated. I went to meet his family and I think that they probably didn't know they had a problem with it until he walked in with me. And they definitely had issues. Mom had issues with it. Could not, didn't want to see her son. And I don't think she had anything against me. But it was about her son bringing me home. And I felt that for the first time. I was like, 'Wow, that's deep.' It's really simple: I don't fit their picture.
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that's the place where jobs were plentiful.
I don't like losing a ballgame any more than a salesman likes losing a sale.
... where the Greeks had modesty, we have cant; where they had poetry, we have cant; where they had patriotism, we have cant; where they had anything that exalts, delights, or adorns humanity, we have nothing but cant, cant, cant.
I think Daniel Murphy definitely is premeditated what he'd like to do. He's very good about not missing his pitch when he sees it. I know the ball has to look like at least a softball right now, at least, maybe more to the beach ball variety. He's seeing everything that well. He's a good hitter that is seeing the ball really well right now, and you have to make good pitches to get him out.
The first comic book I ever bought, I was in third grade. It was 'Avengers,' I think, #240. I grew up in Kansas City. And I walked into a 7-11. I had seen, like, 'The Hulk' TV series. I knew about comic book heroes. I knew about it, but I hadn't actually had a physical comic in my hands until that time. And it was a big deal for me.
More than his exterior hit me. I felt warm and safe just being with him. He brought comfort after my terrible day. So often with other people I felt a need to be center of attention, to be funny and always have something clever to say. It was a habit I needed to shake. But with him I never felt like I had to be anything more than what I already was. I didn’t have to entertain him or think up jokes or even flirt. It was enough to just be together, to be so completely comfortable in each other’s presence—we lost all sense of self-consciousness.
People's outlook on Kansas City is always like, 'They let you rap in K.C.?' Or 'How's Dorothy and Toto?' They put Kansas and Kansas City together, when it's really separate.
It is more than twenty years since we left the city. This is a serious chunk of time, longer than the years we spent living there. Yet we still think of Jerusalem as our home. Not home in the sense of the place that you conduct your daily life or constantly return to. In fact, Jerusalem is our home almost against our wills. It is our home because it defines us, whether we like it or not.
I have always been uncomfortable with a series of movies. I hate that word 'franchise' - it always makes me think of French fries. What I felt each time was that we were going for broke, that this was going to be the last in the series. You can't count on anything.
If an umpire misses a called third strike and the other side ends up scoring because of it, I'm not going to forget it. If there are runners on second and third and two out, and if the umpire has just given the hitter an extra strike and the next pitch goes into the hole and both runs score, I've got to say something to the guy.
I love the slider. I'll throw it anytime. It helps the curve. The last five feet, it dives toward the left-handed hitter's box. It's a pitch that looks like a fastball coming in. It's a pitch I throw when I need a ground ball with a man on base.
I copied (Shoeless Joe) Jackson's style because I thought he was the greatest hitter I had ever seen, the greatest natural hitter I ever saw. He's the guy who made me a hitter.
Honestly, I have no ill will toward Kansas City or anything that happened here.
There's nobody on my ball club that doesn't go from first to third on a base hit, or from second to home. Every time you steal a base, you're taking a gamble on getting thrown out, and taking the bat out of the hitter's hand.
The big thing I noticed from High-A to Double-A is that when you have an advantage count as a hitter, you're not going to get as many fastballs. Adjusting to the 2-0 changeup, that 3-1 off-speed pitch - things like that. I think my swing can stay the same; I just was getting myself out.