A Quote by Noma Dumezweni

I wasn't very academic at school, but the Wolsey Youth Theatre was the saving of me. — © Noma Dumezweni
I wasn't very academic at school, but the Wolsey Youth Theatre was the saving of me.
I didn't go to university. I studied theatre in high school and worked with Canberra Youth Theatre and The Street Theatre and other theatre organisations in Canberra, and that's how I got my training.
I was always far more into anything creative that called for a bit of active participation, like reading aloud in class. Then, having left school shortly after my GCSEs, I auditioned for the National Youth Theatre of Wales and the National Youth Theatre of Great Britain as well as the Welsh National Youth Opera. I ended up getting into all three.
I had a very nice, cozy childhood. I did lots of plays at school and worked with the National Youth Theatre as a teenager.
I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
I went to a very academic school that actually - when I got to the point of wanting to pursue acting, they just had no idea how to do that, because all of their contacts were very academic.
When I was at youth theatre and drama school, I never thought people would mistake me for a stand-up.
My tryst with theatre began in 1968, after the last day of school in that academic year.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I wouldn't just come home from school and watch TV everyday, they had me involved in lots of local theatre. I was a very dramatic, talkative child. And that was part of my mother's creative solution - to put me in workshops and classes and children's theatre programmes.
Nobody in my family is in the show business, and none of my friends were. I went to a very academic school that actually - when I got to the point of wanting to pursue acting, they just had no idea how to do that, because all of their contacts were very academic.
The National Youth Theatre did one very simple but incredible thing for me: it made me realise I had choices.
I had no idea what I was going to do with my life. But then a lady at the youth theatre asked me if I'd ever thought of going to drama school.
I was quite straight-laced. I was quite academic until I was about 14 and then I went to boarding school where I had the opportunity to continue to be very academic, but got less interested in it and became more involved in acting. And then when I was applying for universities I used a couple of places on my UCAS form to apply for drama school without telling anyone... but didn't get into drama school. But that was the most rebellious thing I did.
I only went along to youth theatre with a friend when I was young to try to make myself a bit more sociable. But the whole thing was quite sore; it really hurt me trying to get into drama school. It was a world I knew nothing about - it was very middle class; all that usual stuff. But I was young, determined, and I just went for it.
I got involved in the Surrey Country youth theatre which led me to go to drama school where I realised that this was going to have to be my career, and I was really lucky to get big breaks early on.
I used to spend a lot of time at football training, but that time was later spent in amateur acting classes and my local youth theatre, in plays at school and after-school clubs. That filled the void.
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