What a photograph shows us is how a particular thing could be seen, or could be made to look - at a specific moment, in a specific context, by a specific photographer employing specific tools.
Life is always trying to love us, but we need to be open if we are to see it. Fear shows us one world; and love shows us another world. We decide which world is real. And we decide which world we want to live in.
I've got certain responsibilities that I have to carry out in a very specific institution and in a specific moment in time.
The quality of events surrounding you in any given moment in time may be reflecting specific beliefs that you hold in that moment of time.
Lean gives you such stomach pain. I'll never forget the time I was at South by Southwest and had to do all these shows, and I sitting on the couch curled up, hours of pain...That wasn't the moment I quit, that was the moment when I said I need more.
The moment you make a photograph you consign whatever you photograph to the past as that specific moment no longer exists, it is history. The photography that I practice takes place in a specific time and place, depicting real moments in people's lives. In some ways I think of myself as a historian, but not of the word. History is most often written from a distance, and rarely from the viewpoint of those who endured it.
The past tempts us, the present confuses us, and the future frightens us. And our lives slip away, moment by moment, lost in that vast terrible in-between. But there is still time to seize that one last fragile moment.
I think there seems to be a need for escapism at the moment. Maybe that's the type of world we're living in. It's a sanctuary, in a way, where you can immerse yourself in something that doesn't exist, whether that's TV shows or comic books or novels. it's not solely down to magic and vampires - that's in at the moment. but escapism, being a part of other worlds, is very good for you.
In the Eagles, you have specific assignments. You have vocal parts and musical parts that need to be exactly in place at the right time. And if all of us do our job, it becomes something bigger than any of us.
Most people have learned to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. ... It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning.
No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less
No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less.
Mysteriously, as elusive as it is, this moment--where the eye is what it sees, where the heart is what it feels--this moment shows us that what is real is sacred
'The Lobster' is very particular, and we did need to create a very specific world with specific rules so the whole premise would work.
We are here to live moment by moment, and each moment brings a task, a challenge, a goal. It's good to have big goals, but we need to connect the dots between where we are and where we are going, one day, one moment at a time.
As adult women, we're better able to protect ourselves emotionally. We understand we don't need to spend time with people who don't make us feel good. We recognise that some people have bad energy and we know we don't want that in our lives. Instead, we choose to spend time with people who love us and treat us well and make us happy. There's no doubt that shows on your face.