A Quote by Noma Dumezweni

I now realise I'm a great actor. — © Noma Dumezweni
I now realise I'm a great actor.

Quote Topics

I realise that I do not change the course of history. I am an actor, I do a movie, that's the end of it. You have to realise we are just clowns for hire. After I had success it was great, at first, not to worry about money. It was on my mind when I was growing up.
This great imperialistic world called the United States has made us believe that an Oscar is the most important thing in the world for an actor. But if you think about it for five minutes you realise it can't be.
This great imperialistic world called the United States has made us believe that an Oscar is the most important thing in the world for an actor. But if you think about it for five minutes you realise it cant be.
Robots are great. I am saying that now so that when a future civilization of robots takes us captive, they will search through the 'Guardian' web archive and realise I said, 'Robots are great,' and then they'll choose to save me.
Man has survived hitherto because he was too ignorant to know how to realise his wishes- Now that he can realise them, he must either change them or perish
I enjoy acting now more than I ever have. I've had lots of difficult times when I was younger, but that was all tied up with thwarted ambition. It's hard being a young actor, because you don't realise until later that it's only ever about doing the work.
When I was young, I wanted to find the Great Dark Man. When I said that I realise now that people thought that by 'dark' I meant black, and that by 'great' I meant big. Whereas I only meant a strong, mysterious person; someone who would 'take me away from all this.'
When I was a kid, I wanted to be serious, like Daniel Day-Lewis. No one really dreams of being a comic actor, do they? Now I realise how stupid that is - and it's because comic acting isn't taken seriously enough. It's a discipline. You know instantly - either you're funny and getting the laughs, or you're not.
I do feel that scripts get developed now to a point where they're sort of actor-proof. If the actor is not very good, the narrative still survives because it's all in the dialogue. Not to say there aren't great performances in English-language films, because there are every year, but the 1970s were awash with great performances, and I was wondering whether it had to do with the amount of space and the amount of responsibility given to the actors.
I was always told that films were evil and such, but I started to realise what a load of crap it was that something this good should be forbidden. I had been allowed to read as much as I wanted when I was younger, so I recognised great art when I saw it; I just didn't realise it would be at the cinema as well.
When I was in my formative years, I rejected Frank Sinatra, Bing Crosby, Andy Williams, and Dean Martin. I now realise they were all great artists, but at the time, as a young man, you have to clear the decks.
My dream as a youngster was to be like Olivier. To be a great stage actor. To be a great Shakespearean actor. To me that is the Olympics of acting.
Studios have been trying to get rid of the actor for a long time and now they can do it. They got animation. NO more actor, although for now they still have to borrow a voice or two. Anyway, I find it abhorrent.
When I was at drama school, I wanted to change the world, and thought I had some great wisdom to impart to people about humanity. Now that I'm older, I know enough to realise that I know nothing at all.
You can always tell when an actor has grown a 'rhino skin' to protect themselves. It comes across on screen, and they aren't believable. They're dead in the eyes because they've been told a million times that they're the greatest actor that ever lived. If you don't realise what's happening, and get your feet back on the ground, it can be the worst thing that ever happens to you.
My dream is to produce a generation of actors who realise what the function of an actor in a movie is supposed to be.
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