A Quote by Noomi Rapace
Weirdly enough, I don't like to pretend. I try to use things in me, and translate them into the situation and the characters, so it always needs to run through my own veins.
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I think I always knew that the things that I was born with can definitely translate to the NBA. Energy and being able to run, rebound, those things will always translate.
We've all been watching stories about heterosexuals forever... As a gay kid, you are always having to translate. You are always having to pretend like you are one of the other characters. You're not seeing your life accurately reflected.
The bruisers and the bump-and-grind guys, use your athleticism on the floor, try to wear them out - run them through a lot of pick-and-rolls, run the floor, do a lot more athletic stuff just to try to wear them down.
I would like to carve my novel in a piece of wood. My characters—I would like to have them heavier, more three-dimensional ... My characters have a profession, have characteristics; you know their age, their family situation, and everything. But I try to make each one of those characters heavy, like a statue, and to be the brother of everybody in the world.
For me, acting is like a therapy. I can express myself fully when I am acting and have blood in my veins. Even when I'm not working, I'm always living in my own world, imagining characters.
Everything is always feasible if you run a corporate finance exercise: you can always try to come out with a justification on how things could work. But the real issue is to say how do you translate that into practice.
The writing that feels the best to me, I experience sometimes, is a kind of weirdly deep listening - like, it feels like if you just listen hard enough, the next sentence will tell you what it needs to be.
I always like to pretend two things: one, I'm sitting in the seat beside you watching the game together. I'll say, 'Wasn't that a great shot? Boy, it sure was.' The other thing I do is pretend I'm talking to people who are non-sighted. I try to create a word picture. I get more mail from blind people thanking me.
I was diagnosed with ADD when I was 14. Weirdly enough, I then learnt, through doing different things, to concentrate.
If you have the personalities down, you understand them and identify with them; you can stick them in any situation and have a pretty good idea of how they're going to respond. Then it's just a matter of sanding and polishing up the jokes. But if you've got more ambiguous characters or stock stereotypes, the plastic comes through and they don't work as well. These two characters clicked for me almost immediately and I feel very comfortable working with them.
My own feeling is that the only possible reason for engaging in the hard labor of writing a novel, is that one is bothered by something one needs to understand, and can come to understand only through the characters in the imagined situation.
I'll take a certain concern of my own or a situation and try to frame it around a fictional story, but sometimes just straight-up autobiographical songs work well, and sometimes a story is better. I like stories. I like to hear them. I don't think there are enough of them in songs anymore.
I enjoy stories about thin women - I read them frequently. I enjoy them; I root for those characters, but I always feel like there are enough of them out there and there are enough of them in the spotlight.
It's in the silence that I'm most able to hear the tiny voices that tell me I'm not good enough, smart enough, or cool enough. I try to hear them for what they are: my own creations. Sitting with them, letting them speak, hearing them out, and giving them back the silence that I'm now sitting in has shown me that, quite often, they shut up.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
The kind of response I hope for when I write my novels for children: to give them a chance to recognize something of their own feelings -- about themselves, their parents, their friends -- and their own situation as a kind of subject race, always at the mercy of the adults who mostly run their lives for them.
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