A Quote by Noomi Rapace
I always had this huge respect for American filmmakers and American actors. I always had this very strong love and respect for the American cinema. I always knew that I was going to leave Sweden.
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I grew up watching American movies. My favorite movies have always been American, since as long as I can remember. I always had this huge respect for American filmmakers and American actors.
I grew up in Sweden. It's a profoundly Americanized country. We have a strong tradition of Americana and always had non-dubbed American television, and embracing American culture a lot, so I always knew that I wanted to go to America.
Im not an American but I have always had the outsiders respect for the American people and the American way.
I'm not an American but I have always had the outsiders' respect for the American people and the American way.
Throughout American history, the political leaders have always exhorted the American people to be nice and quiet and leave things to them. But when very serious evils confronted the American people, they had to go beyond the Congressmen and Senators, and they had to commit civil disobedience and they had even to break the law.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
I've got nothing against any individual American, except that there aren't any. They're always Irish-American, African-American... There's never an American-American you can blame.
I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
I'm from a Lebanese-American family. And I've been had lot of contacts and - with Arab-American community, especially Arab-American filmmakers and actors and so forth. It's a community that, a minority that really hasn't been heard from enough. And so many of the stories that are told about Arab-Americans these days are just negative portrayals in the news, but also in television and film. So we're - we set out to try and offset some of those stereotypes.
We are a people that have always celebrated other people's success so long as we always had the opportunity to meet that success ourselves. That is the American nature. That is the American character. That is one of the things that makes us different from the rest of the world. And I'm afraid we could lose that or are on the verge of losing that.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
I always used to wonder why American actors were getting fat, then I made a U.S. movie. I'm seeing all the food every day, and there's lots of waiting around because making an American movie is very slow.
I think when you have so many people working for American-based think tanks and American-based defense companies, there is always going to be a bent towards proposing American-led solutions for foreign problems. People get paid big money in Washington to come up with ways that America can fix problems overseas, and they are not always right.
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