A Quote by Noomi Rapace

I think it's always the emotional situations that are more tricky to nail and get into because I don't want to pretend. — © Noomi Rapace
I think it's always the emotional situations that are more tricky to nail and get into because I don't want to pretend.
To call them emotional comedies sounds cloying. Like Billy Wilder said, 'You want to make them laugh and you want to make them cry,' and it's very hard to do so. If you ground it in reality, you get a more honest comedy. You don't have to reach for jokes to manufacture situations as much. And I think it's a type of film I do best.
I can't pretend that I'm happy or pretend to get emotional when I'm not.
I have a tendency to overempathize with people, which gets me into tricky situations. I can get sucked in and feel like I need to get involved, which is sometimes helpful and sometimes not. It's better to have more distance.
I always prefer to write songs about emotional situations and heartbreak because I like getting into the character.
Marketing is always a tricky thing with a rated R movie. Sometimes people just get what it is and they want to come see it, and sometimes you have to explain it more.
That's the tricky thing about being bonded to someone for life. Blake and his dad are bonded like I'm bonded with Erin. We're irrevocably tied together by history, a history that can never be erased. Even if you want to deny it, even it you want to pretend it never existed, it will always be a part of you. It will always, in some way, define who you are.
Sometimes I would be very upset because my memories are very murky from my childhood, but there are certain emotional memories or emotional truths that are painful, and things that I know to be the case and I had to nail them down, and that was difficult.
That's something I never want to do: I never want to think I know it all, because I don't. There's always more people with more advice, and I just want to soak all that up and make my sporting toolbox as full as I can get it.
I think when you're in your 20s, going from adolescence to about 24, I think your life is a series of emotional storms that you have to weather. Life is more emotional at that time, and you're less equipped to deal with what life throws at you. I always think that if you can get past 24, than life really starts at that point.
I think television is about the characters you want to see again, and so you want to invite these people into your home. And certainly, seeing them get into bad situations and then watching them have to get themselves out, that's always super satisfying.
For me the idea was always throw myself into different situations and push your imagination as far as you can to get to where you want to get to. I think a lot of bands make the same record over and over again because they're married to the same three or four people. At some point they've done all they can do with their own imaginations.
Sure you have feelings and you get emotional and angry but I kept everything inside because I think I still had that thought in my mind - I didn't want to get suspended again
Emotional Literacy means being able to recognise what you are feeling, so that it doesn't interfere with thinking. It becomes another dimension to draw upon when making decisions or encountering situations. Emotional expression by contrast can mean being driven by emotions, so that it isn't possible to think. These two things are often confused, because we are still uncomfortable with the idea of the validity of feelings.
Wear what you want to wear. Do what you want to do. Be who you are. Pick out your own clothes. Be a man. And if that's too much to ask, as it almost always is for me, think of someone you consider to be a man and pretend to be like him. I pretend to be like my dad.
There is certainly a higher percentage of wit in British comedy than in American comedy. What always tickles me is the way in which people try to use their intellect to get themselves out of tricky situations but never quite manage to do so - much to their enormous embarrassment.
I think the story should always determine the visual approach. There are situations where you want things to feel alive and like life, and there are situations that should have some magic and the separation with the grain.
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