A Quote by Nora Ephron
There is something called the rapture of the deep, and it refers to what happens when a deep-sea diver spends too much time at the bottom of the ocean and can't tell which way is up. When he surfaces, he's liable to have a condition called the bends, where the body can't adapt to the oxygen levels in the atmosphere. All of this happens to me when I surface from a great book.
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Scuba diving, from the beginning, had an air of dangerous allure. Every landlocked schoolboy knew of its intriguing hazards: the bends, which caused a diver's veins to fizz with carbonated blood until he died a ghastly, percolating death; and rapture of the deep, which took away his reason, filled his heart with false contentment, and drew him down into the ocean gloom.
The Bahamas are gorgeous. The deep trench in the ocean floor called the Tongue of the Ocean, which comes between the islands, is the most beautiful deep indigo colour.
If somebody writes clearly, you can pretty much tell immediately if something is shallow or deep, whereas if they write with all this duckweed on the surface, you can't tell if the stream is one inch deep or a hundred fathoms.
It seems to me absolutely true, that our world, which appears to us the surface of all things, is really the bottom of a deep ocean: all our trees are submarine growths, and we are weird, scaly-clad submarine fauna, feeding ourselves on offal like shrimps. Only occasionally the soul rises gasping through the fathomless fathoms under which we live, far up to the surface of the ether, where there is true air.
Growing, for leaders, is like oxygen to a deep sea diver. Without learning and growing, leaders die in terms of their effectiveness.
The passion of Jesus is a sea of sorrows, but it is also an ocean of love. Ask the Lord to teach you to fish in this ocean. Dive into its depths. No matter how deep you go, you will never reach the bottom.
One of the things that's frustrated me as a deep-sea explorer is how many animals there probably are in the ocean that we know nothing about because of the way we explore the ocean.
What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.
You’re like a lighthouse shining beside the sea of humanity, motionless: all you can see is your own reflection in the water. You’re alone, so you think it’s a vast, magnificent panorama. You haven’t sounded the depths. You simply believe in the beauty of God’s creation. But I have spent all this time in the water, diving deep into the howling ocean of life, deeper than anyone. While you were admiring the surface, I saw the shipwrecks, the drowned bodies, the monsters of the deep
Far out in the ocean, where the water is as blue as the prettiest cornflower, and as clear as crystal, it is very, very deep; so deep, indeed, that no cable could fathom it: many church steeples, piled one upon another, would not reach from the ground beneath to the surface of the water above. There dwell the Sea King and his subjects.
It's always nice when you do something and it's well received as opposed to the other way which God knows happens to everybody. When the good times come around, you take a deep breath, appreciate it, but not take it too seriously.
I've always been fascinated with marine geography and how deep things are. I was spellbound by the tsunami, for example, by the actual maps. There is just something about the unseen bottom of the sea that has always fascinated me, how deep is it.
Writing is a deep-sea dive. You need hours just to get into it: down, down, down. If you're called back to the surface every couple of minutes by an email, you can't ever get back down. I have a great friend who became a Twitterer and he says he hasn't written anything for a year.
In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything.
When we meditate, what we actually do is enter into a vacant, calm, still, silent mind. We go deep within and approach our true existence, which is our soul. When we live in the soul, we feel that we are actually meditating spontaneously. On the surface of the sea are multitudes of waves, but the sea is not affected below. In the deepest depths, at the bottom of the sea is all tranquility. So when you start meditating, try to feel your own inner existence first. That is to say, the bottom of the sea: calm and quiet. Feel that your whole being is surcharged with peace and tranquility.
What actors need to do is to find a way to show people their despair, their joy, their pain, their exhilaration. All of these deep, deep emotional things - good and bad - so that if you're able to do that, then there's a kind of resonance that happens.
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