A Quote by Nora Ephron

[on the screenplay for "When Harry Met Sally"] It struck me that the movies had spent more than half a century saying, "They lived happily ever after" and the following quarter century warning that they'll be lucky to make it through the weekend. Possibly now we are now entering a third era in which the movies will be sounding a note of cautious optimism: You know, it just might work.
The movies that I love and model after, like 'Annie Hall,' 'When Harry Met Sally,' and in particular for me, 'Broadcast News,' are the tone of life, which isn't a setup punch-line every two minutes.
What we have lived through, the 20th century, has been like a great party. Adults now have had the best time humanity has ever had. Now the party is over and the Earth is reckoning up.
I just wonder what has been the effect on the human soul of nearly a century in which we have regarded sex on screen as generally better than the sex we actually have, the sex which is, in fact, much better than anything we have seen in the movies, becuase it's sex, after all, and in the movies, it isn't.
The truth is, when I started to make films, I was terrified. I had a huge difference in what I was writing in the screenplay and what was on the screen after. Sometimes there was a big gap. Now, the more I have experienced, the more I do movies, the more I feel that the dream is closer to the screen. It's coming with experience.
What I've always loved are movies like 'When Harry Met Sally'... and 'The Sure Thing.'
Yes, deficits are a problem. I've been saying so for more than a quarter of a century now. But the problem is not the size of the deficit, it's the size of government's claim on our economy.
I think the twenty-first century happened, basically. That this century started on 9/11. And basically, it's been a century of counter reaction to globalization and the meritocracy. And a good century for 72 nations have gotten more authoritarian. We've had Brexit. We have Le Pen rising in France. We've just got a lot of these types all around the world. And the people who are suffering from globalization and the meritocracy are saying, "No more. You know, we get a voice too."
Everybody just asks me 'Are you going to make Hollywood movies now?' First, I don't know. Second, I never dreamed about that; I just dreamed about making movies with Tarantino. So if I can make movies with a lot of amazing directors - yes.
Having come up in the era where movies are only movies if they're released in the theater... I don't know if that holds true anymore. I've been involved in some movies that have gone 'direct-to-video,' and that used to not be a good thing, but now it's different.
What are man and woman if not members of two very different and warring tribes Yet decade after decade, century after century, they attempt in marriage to reconcile and forge a union. Why I don't know. Biological imperative Divine law Or just a desire to connect to that mysterious other In any case, it's always struck me as a hopeful thing.
And if real life was like the movies, I should have lived happily ever after.
As for the once-revolutionary 'Agon,' after more than half a century, its lessons and revelations have been so absorbed into the language of ballet that it now seems almost conventional.
No one who has lived through the second half of the 20th century could possibly be blind to the enormous impact of exchange programs on the future of countries.
Make up your mind that nothing is more important than how I feel now, because now is everything. Now is the whole enchilada. Now is the power of me. Now, now, now, now, now... You might as well start somewhere, and it might as well be now. Why not start improving your life now, now, now?
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
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