A Quote by Nora Ephron

I don't write a word of the article until I have the lead. It just sets the whole tone - the whole point of view. I know exactly where I'm going as soon as I have the lead. — © Nora Ephron
I don't write a word of the article until I have the lead. It just sets the whole tone - the whole point of view. I know exactly where I'm going as soon as I have the lead.
I don't have writer's block, really. I do have times when I can't get the lead, and that is the only part of the story which I have serious trouble with. I don't write a word of the article until I have the lead. It just sets the whole tone - the whole point of view.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
The whole thing is this: If you don't use just basic grammar, if you don't get the language down, you're not going to have access to a tool that people use as a weapon against you. The only reason I was never taught to read and write was because it was easier for them to lead me. But the second I learned to read and write, I began to lead myself.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?
Making little videos that you know are going to be on tiny windows is a whole different thing. I don't know what it's going to lead to necessarily, but it's certainly fun.
I always knew I wanted to entertain people my whole life, I just didn't know exactly how I was going to do it until I was 16 and everything blossomed on SoundCloud.
Even the most meticulous historians work subjectively. The historian's point of view, his or her selection of subject and sources, the emphasis, the tone - all of these lead to subjective history, inevitably so. I do not say this as a criticism, merely as an observation.
A lot of times I think the cast members, the lead characters in a show really set the tone for the show. On some shows, the stars of the show will just be whining and complaining and spending the whole time texting their boyfriends on their Blackberries, and there's just no attention given to the work.
We are convinced that all of our race who die in infancy partake in the redemption wrought out by our Lord Jesus. Whatever some may think, we believe that the whole spirit and tone of the Word of God, as well as the nature of God Himself, lead us to believe that all who leave this world as babes are saved.
Any good job is a good job. This whole concept of a dead-end job? It's not true. I've heard it my whole life. Jobs lead to dignity. If you're good at the first, then you can get the second. Jobs lead to household formation. Jobs are a better solution for society.
We are going to lead once again by being the best. We're gonna lead economically. We're gonna lead technologically. We're gonna go back to the Moon, we're gonna do whatever we're gonna do. We are going to lead by engaging in American exceptionalism and this is going to inspire others to come along with us. We're not shrinking away from anybody. We are reengaging. That's what Trump is, and that's what Democrats don't see.
I was living in a house in the West Village of New York and trying to be Carrie Bradshaw. I wrote a whole 5 pages about this character who wasn't going to wear high heels because it was not empowering. I've read that article 1000 times, it's so boring! I was writing really cliched women's stuff which is exactly what I didn't want to write.
My scripts are always filled with notes. I like to just analyze everything from the point of view of the whole picture, of the movie, my whole picture.
I think you can have a whole terrific, smart career as a second and third banana and work more and have much less risk than the lead guy. But I like being the lead guy.
Family was even a bigger word than I imagined, wide and without limitations, if you allowed it, defying easy definition. You had family that was supposed to be family and wasn't, family that wasn't family but was, halves becoming whole, wholes splitting into two; it was possible to lack whole, honest love and connection from family in lead roles, yet to be filled to abundance by the unexpected supporting players.
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