A Quote by Nora Ephron

It's always a shock to the people who run studios when a movie that is for women is a hit. They have an infinite capacity to be shocked. — © Nora Ephron
It's always a shock to the people who run studios when a movie that is for women is a hit. They have an infinite capacity to be shocked.
If I was one of the leaders...if I was just a leader of one of these studios what I would do is I would go to all my cohorts who run other studios and say let's make a deal. Let's each of us make three 3D movies a year or whatever the number is. Let's not take every movie and make it a 3D movie. Let's take our three tentpoles or whatever movie it is so you have a specialness to it.
I don't like the phrase shock value. Surprise is essential in comedy, and if people are shocked by what I consider merely surprising, then that's their shock. But there is no joke without surprise.
Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.
When I beat Sonny Liston, I shocked the world. When I joined the Muslims, I shocked the world. When I beat George Forman, I shocked the world. I am from the House of Shock
Man has a limited biological capacity for change. When this capacity is overwhelmed, the capacity is in future shock.
Man (and woman) has an infinite capacity for self-development. Equally, he has an infinite capacity for self-destruction. A human being may be clinically alive and yet, despite all appearances, spiritually dead.
People are always shocked to hear I'm an athlete by profession and even more shocked when they hear I'm a fencer from the United States. I challenge the stereotype that Muslim women are oppressed and that a Muslim can be American by birth. It's amazing how many assumptions people make, but I embrace the opportunity to use this Olympic platform to educate.
It's always better to shock people and change people's expectations than to give them exactly what they think you can do. It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world. Not that I'm great or good at it or anything, it's just that I've done a bunch of them, so you're not shocked.
I'm always shocked when I get an invitation. People are always shocked when they see me at a party.
I just like to write stuff that makes people laugh, stuff that works, a fun movie that everyone can enjoy. I'm not really worried about the packaging, marketing, and what the studios are going to run next.
I went to underground music studios. In the studios, I learned that you can make a movie without a permit.
Movie studios, Hollywood studios, by and large are not making the kind of movies that I go to see.
I think a lot of studios today are run by women, and we are entering a time when a lot of women have evolved in Second City and Upright Citizens Brigade and wanted to become writers and comedians.
Talent is the infinite capacity for taking pains. Genius is the infinite capacity for achievement without taking any pains at all.
If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.
I used to be a pretty good hit-and-run man when I played in the minors. I handled the bat well and could hit the ball to the right side of the infield. Nevertheless, I know that you often give the opposition an out on the hit-and-run play.
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