A Quote by Nora Fatehi
If a show comes and the content is great, I would never say no to acting on TV.
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I am here to tell you, TV is not dead. Rather, it is constantly evolving as we are. My view is that we are in the next Golden Age of content. If AOL, Google, Netflix, Amazon, and Yahoo felt TV was dying, they would not be so eager to play in our sandbox. It is, after all, TV content that's driving their business.
I never thought I would get into acting. I was studying computer applications in Delhi and that was when I got selected for my first TV show and came to Mumbai.
Career wise, I'm looking into different opportunities to do a TV show, but in some way that's not a goal in itself. To me, the goal is creating content and doing fun stuff that I'm proud to show. I don't want to do a TV show for the sake of doing it.
I don't think anyone who runs a TV show would ever say to you, 'I have a grasp on running a TV show.' Maybe that's not true. Maybe there are people that do. I don't know.
I keep it real normal, like I don't try to act like a celebrity, or say that just because I'm on a TV show I can do other types of TV. I take it very seriously and I respect the art of acting.
I'm probably not creative or talented enough to create an especially compelling piece of content, but I really do enjoy watching a great movie or TV show.
The British model, which I've always thought was great, is that you do a TV show and then they sell it. Then you can buy it at the video stores forever, so it never went away. But American TV used to be if you had a show and it got cancelled, then it never existed. It was just this thing you heard about and you couldn't see it again. There is something so great about shows getting released and people getting to watch them over and over again. It definitely takes the sting out of it.
In high school, I got picked on. It's funny that I got tormented for what I'm doing now - the acting thing. People would see me in a Nickelodeon commercial, and I would hear about it the next day at school. Kids would say, 'Hi, TV Boy.' They heckled. I never got beat up.
If someone would ask me to choose between TV and films, I would go for TV. I am content with it. Also, I have a family and a son to look after. A mother needs to be there with the child.
TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.
I feel like some of the best talent is on TV right now, with the writing, acting and great directors. I've also been looking for the consistency of work that TV provides for you. And, I always thought it would be really interesting to live with a character for months, if not years.
When I got to 'Looking,' I didn't know that you could write stuff and they would put it on TV. That was that experience. My boss was Andrew Haigh and he came from film; he had never done TV. It was his first TV show, and he was running it. And I think he was like, 'Write it, and we'll put it on.' It was lovely.
Funnily enough, when I was leaving school and they asked you what you were going to do, and I just liked acting, that's never what I would say. I would always say I would go into business, even though I didn't really know what was meant by that.
If we continue to treat content as an extra to information architecture, to content management or to anything else, we miss a bright opportunity to influence users. Content is not a nice-to-have extra. Content is a star of the user experience show. Let’s make content shine.
I'm a writer; I've worked as much as a writer as I have as an actor, so I was in a script-note session at Imagine for a TV show I wrote that they were producing, and they happened to say, 'You'd be great as Crosby, do you want to do this show we're doing, 'Parenthood?'
The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.
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