A Quote by Nora Roberts

You're going to be unemployed if you really think you just have to sit around and wait for the muse to land on your shoulder. — © Nora Roberts
You're going to be unemployed if you really think you just have to sit around and wait for the muse to land on your shoulder.
You can wait forever for the muse to sit on your shoulder, but most of the time you know what has to be done and inspiration is not going to help you.
The muse is not an angelic voice that sits on your shoulder and sings sweetly. The muse is the most annoying whine. The muse isn't hard to find, just hard to like - she follows you everywhere, tapping you on the shoulder, demanding that you stop doing whatever else you might be doing and pay attention to her.
Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
I think being consistent is really important. In the arts there's a misconception that you sit around waiting for the muse to come, and that it's all really mystical and mysterious. In reality, sometimes you have to fake it till you make it.
I think I approach all of my writing in the same way. I mean, it's my job, and I'm committed to it. I don't just float around and wait for some muse to call.
Don't just sit around and wait for it to happen. 'Get Your Roll On.' If you're going to buy some rims, graduate from college, or whatever, get your roll on and make something shake.
There are still many things to work on - the start, the transition, the finish. I am not just going to sit around and wait.
I think the worst professional advice I received was this kind of unspoken message of "sit back and wait your turn," or "sit back and wait and let other people do things."
Sometimes you've just got to sit down, whether you're in the hotel room or on your couch at home, and really just appreciate what's going on around you.
Don't wait for the muse. As I've said, he's a hardheaded guy who's not susceptible to a lot of creative fluttering. This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you're going to be every day from nine 'til noon. or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up.
Sometimes I just don't have time to wait for the muse to come, so I've developed things to force the muse to come back.
It's great that you can listen and be a shoulder to someone, but what about when someone doesn't need a shoulder? What if they need the arms or something like that? You can't just sit there and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things.
Don't wait to buy land, Buy land and wait. Find out where the people are going and buy the land before they get there.
I learned to produce whether I wanted to or not. It would be easy to say oh, I have writer's block, oh, I have to wait for my muse. I don't. Chain that muse to your desk and get the job done.
I was in rehearsal and reading the script and I was like, 'Wait, wait, wait, wait. I think I'm related to Data,' which was crazy but that was really cool. Going back to watch' Next Generation' and getting to see Brent doing his thing and just how incredible he was and it was obvious to see why he was such a beloved character.
Logic is the subject that has helped me most in picking stocks, if only because it taught me to identify the peculiar illogic of Wall Street. Actually Wall Street thinks just as the Greeks did. The early Greeks used to sit around for days and debate how many teeth a horse has. They thought they could figure it out just by sitting there, instead of checking the horse. A lot of investors sit around and debate whether a stock is going up, as if the financial muse will give them the answer, instead of checking the company.
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