A Quote by Nora Roberts

Every writer has to figure out what works best - and often has to select and discard different tools before they find the one that fits. — © Nora Roberts
Every writer has to figure out what works best - and often has to select and discard different tools before they find the one that fits.
I don't like any tape on my body, so I'm just trying to figure out what works best for me mentally, and for my wrist as well. We have to try and tape my wrist a different way every single practice to find a way.
When I start a new novel, I often write 'test chapters' in different tenses and from different points of view in order to figure out which is best to tell the tale.
[Pragmatism's] only test of probable truth is what works best in the way of leading us, what fits every part of life best and combines with the collectivity of experience's demands, nothing being omitted.
I learned to pick up each piece, one at a time, from my pile of potential matches and try to fit it from any angle into the socket, then discard it and move on. Each failure is meaningless. It's not me, it's the pieces, and I have to, absolutely must, try each and every piece every possible way until I find one that fits. They aren't failures, they're steps, small bits of progress.
When first starting to work with someone you try to get them in the same mindset that you were in when you were successful, and I realized the best thing you can ever do is realize that they are not you. They have a different persona and mindset, and you have to figure out what works best within your communication with that athlete.
You write differently in each book. It may appear to be similar to readers, but you're a different writer in each book because you haven't approached that subject before. And every subject brings out a different prose strain in you. Fundamentally, yes, you're contained as one writer. But you have various voices. Like a good actor.
There is no way to find the best design except to try out as many designs as possible and discard the failures.
Every player has to figure out what works best for them. So yes, I like the way I work, and if that gives me a competitive edge, that's great and if it doesn't that's okay too.
I will not propose to you that my way is best. The decision is up to you. If you find some point which may be suitable to you, then you can carry out experiments for yourself. If you find that it is of no use, then you can discard it.
As a writer, I absorb stories, allow them to churn within my own head and heart - often for years - until I find a way of telling them that fits both my time and temperament.
In every country, it's different, and you have to be flexible and slow and careful, and in the end rely on the experience of others who have gone before you and have begun to figure these things out.
Every writer follows a theme, and mine is survival. If you can't figure out what a writer's theme is, look at the books you are attracted to.
Every fight brings out something different in me, and it will be no different in this one. I have learned and gained from all of those experiences. And as I've often said, the public hasn't seen the best of me yet. I need someone like Mayweather to bring that out of me.
In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
You have choice. You can select joy over despair. You can select happiness over tears. You can select action over apathy. You can select growth over stagnation. You can select you. And you can select life. And it's time that people tell you you're not at the mercy of forces greater than yourself. You are, indeed, the greatest force for you.
Pay attention to your body. The point is everybody is different. You have to figure out what works for you.
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